KARYA KOMPOSISI MUSIK TETEG, REINTEPRETASI TRADISI PATHETAN SLENDRO SANGA NGELIK
Article Sidebar
Main Article Content
Abstract
ABSTRACT
Â
The word “teteg†comes from the Java language which means dare to deal with all issues both physical and non-physical. Teteg has the same synonym with tatag, tangguh, tanggon, and teguh. The form of this musical work is a reinterpretation of the traditional repertoire into a musical composition with new forms and colors. With the method of developing the traditional source, the composer carries the tradition of pathetan Sanga Ngelik. Pathetan sanga ngelik as the source of the creation of this music will be processed with a “garap†approach. One of the elements of garap mentioned above includes: technique, pattern, rhythm, laya, laras, pathet, and dynamics. Pathetan sanga ngelik will be described into several forms such as, merong form, ladrang, ketawang, lancaran, ayak-syak, srepeg, and palaran. This music also explores various characters which is called "rasagendhing" that consists : rasa sereng, gagah, regu, prenes, sigrak, gumyak, luruh, and gayeng or gecul. In this part, drama and music concepts appear in this work. Some other styles also exist in this work, among others: this work combines Surakarta style (Solo), Yogyakarta style, Nartosabdan style and also style outside the palace (rural) or Sragenan. The idea of this art work will be framed by the concept of "teteg" with meaning contained.
Â
Kata kunci: komposisi musik, teteg, reintepretasi tradisi pathetan slendro sanga ngelik
Â
Downloads
Article Details
Copyright
Authors who publish to Sorai: Jurnal Pengkajian dan Penciptaan Musik agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
Darsono. “Gendhing-gendhing Bapak
Sunarto Ciptosuwarsoâ€, Laporan
Penelitian, STSI, 1991.
Gunawan Sri Hastjarjo.Sekar Ageng.Sub/ B a g P r o y e k A S K I Surakarta.Surakarta, 1983.
Martopangrawit. Pengetahuan Karawitan.
Surakarta: ASKI, 1972.
Mlayawidada. Balungan Gendhing-gendhing Jawa Gaya Surakarta. S u r a k a r t a : D e p a r t e m e n D a n Pendidikan Kebudayaan ASKI Surakarta, 1997
Supanggah, Rahayu. “Beberapa Pokok Pikiran Tentang Garapâ€. Makalah disajikan dalam diskusi mahasiswa dan dosen ASKI Surakarta, 1983.
________. “Balunganâ€. Dalam Jurnal Masyarakat Musikologi Indonesia Vol 1, 1990.
________. “Gatra: Konsep Gendhing T r a d i s i J a w a †, M a k a l a h dipresentasikan dalam rangka Seminar Karawitan Program Studi S I Seni Karawitan, Program DUE-Like, STSI Surakarta, 2000.
________. Bothèkan Karawitan I.
J a k a r t a : M a s y a r a k a t S e n i Pertunjukan Indonesia, 2002.
Sutardjo, Imam.Mutiara Budaya Jawa.
Surakarta: Jurusan Sastra Daerah,
Fakultas Sastra UNS, 2006.
Siswanto,Komposisi “SambungRapetâ€.
Kertas Penyajian Komposisi. STSI
Surakarta.Surakarta, 2003.
Narasumber
Suparmo, (63 Tahun) Jatirejo, Jatiroto, Wonogiri.Sesepuh dan budayawan masyarakat Jatiroto.
Wulan Panjang Mas, (35 Tahun) Kepuhsari, Manyaran, Wonogiri. Dhalang putri Wonogiri.