TEKNIK ADAPTIF KELOMPOK MUSIK OPSI TOP FOURTY TERHADAP RUANG PERTUNJUKAN DI SURAKARTA
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ABSTRACT
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This article aims to reveal and explain adaptive techniques from the Top Fourty OPSI music group in the performance space in the city of Surakarta. This study used two theories, namely the theory of adaptation proposed by Suparlan and Gerungan, as well as the theory and concept of the performance space proposed by Alexander et al. in 1977. Then, the authors also conduct research by participant observation and qualitatively to obtain data in accordance with the facts in the field. From the results of this study, three adaptive techniques were found that need to be done by top fourty musicians, namely (1) the selection of songs, (2) arrangement, and (3) stage expression. The adaptive technique must be truly owned by every top fourty musician, so that they can master any kind of show space to entertain the audience.
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Kata Kunci : musisi top fourty, teknik adaptif, ruang pertunjukan
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References
Alexander et al. 1977. A Pattern Language. Oxford University Press.
Banoe, Pono. 2003. Kamus Musik. Yogyakarta: Kanisius.
Gerungan. 1996. Psikologi Sosial. Bandung: Eresco. Soekanto, Soerjono. 2000. Sosiologi: Suatu Pengantar. Jakarta: Raja Grafindo Persada.
Webtografi
https://hobimusik.wordpress.com/mp3-instrumental/istilah-dalam-musik/diunduh pada 24 Juni 2017 pukul 12:00
https://www.hotmusiccharts.com/id/itunes/40 diunduh pada 24 Juni 2017 pukul 13:00
http://www.billboard.com/articles/list/6792625/top-50-love-songs-of-alltime/diunduh pada 13 Juli 2017 pukul 09:00
https://www.thoughtco.com/top-best-love-songs-of-all-time-3248359/ diunduh
pada 13 Juli 2017 pukul 10:00
Narasumber
Adji Christian (25 tahun), Musisi Top Fourty, Nusukan, Solo
Dimas Raditya (24 tahun), Musisi Top Fourty, Semarang
Meizal Purnomo (35 tahun), PengajarMusik, Jebres, Solo
Satria Hatma (25 tahun), Musisi Top Fourty, Colomadu, Karanganyar
Thetaf Bangkit (24 tahun), Musisi Top Fourty, Jaten, Solo
Widantok (23 tahun), Anggota Solo Jazz Society, Laweyan, Solo