Kajian Instrumentasi dan Organologi Gendang Beleq Sanggar Mertaq Mi Lombok Tengah Nusa Tenggara Barat

Authors

  • Gde Agus Mega Saputra Pengajar di Prodi Sendratasik Universitas Nahdlatul Ulama NTB

DOI:

https://doi.org/10.33153/sorai.v12i2.2837

Keywords:

Instrumentation, Organology, Gendang Beleq Mertaq Mi Setanggor.

Abstract

It is of absolute importance, to maintain the art of Gendang Beleq when it comes to its sustainability among the Sasak culture. Therefore, being the identity of Lombok Island in West Nusa Tenggara, the awareness of the people possessing such art is highly demanded, in order to safeguard its advancement. It means that when people do not realize that Gendang Beleq is an asset or representation of their culture, there are many uncertainties regarding the future of its existence. The most obvious thing is the lack of reference related to the explanation of the names of the instruments contained in this art, as well as the organology of Gendang Beleq that has never been published in the form of research journals and books. This paper is more of an effort to explore and understand the existence of each instrument in the Gendang Beleq ansamble group. To capture the value of knowledge and overall description related to Gendang Beleq's art in order to obtain data as desired, the time of the research is conducted using a qualitative approach. Organological studies are used to understand or explore the essence of the presence of each instrument. The researcher as the main instrument was in direct contact with the object of study. Various efforts such as in-depth interviews, documentation, direct involvement in art activities, and conducting in-depth dialogues with actors in this case are carried out to obtain thorough information related to the object of study.

Downloads

Download data is not yet available.

References

Abdoellah, Oekan S. 2017. Ekologi Manusia dan Pembangunan Berkelanjutan. Jakarta: PT Gramedia Pustaka Utama.

Guna, Indra. 2010. Kendang Bebarongan Dalam Karawitan Bali Sebuah Kajian Organologi. Yogyakarta: Percetakan Kanisius Yogyakarta.

Hastanto, Sri. 2009. Konsep Pathet dalan Karawitan Jawa. Surakarta: Program Pasca Sarjana ISI Surakarta & ISI Press.

Hastanto, Sri. 2012. Ngeng dan Reng: PersandinganSistem Pelarasan Gamelan Ageng Jawa danKebyar Bali. Surakarta: ISI Press.

Hood, Mantle. 1982. The Ethnomusikologist. Ohio: The Kent State Universitity Press.

Merriam, Alan P. 1964. The Antropology of Music, Illionis. North-western: University Press.

Moleong, Lexy J. 2005. Metodologi Penelitian Kualitatif. Bandung: Remaja Rosda Karya.

Nettl, Bruno. 1964. Theory and Method in Ethnomusicology. New York: The Free Press of Glencoe.

Panggiyo. 2015. Resonator dan Akustika pada Gamelan. Surakarta: ISI Surakarta

Risnandar. 2017. Teknik Pelarasan Gamelan Jawa pada Instrument Gender dan Gong. Surakarta: ISI Press.

Sadguna, Indra. 2011. Jenis-jenis Kendang Bali. Denpasar: ISI Denpasar

Soedarsono, R. M. 2002. Seni Pertunjukan Indonesia di Era Globalisasi. Yogyakarta: Gadjah Mada University Press.

Sudirana, I Wayan. 2009. Kendang Tungga: Balinese Solo Drumming Improvisation. Columbia: University of British Columbia.

Supanggah, Rahayu. 2002. Bothekan Karawitan I. Jakarta: Ford Foundation & Masyarakat Seni Pertunjukan Indonesia.

Yudarta, I Gede, I Nyoman Pasek. 2015. “Revitalisasi Musik Tradisional Prosesi Adat Sasak Sebagai Identitas Budaya Sasak”. Jurnal Segara Widya. Vol. 3 No. 1

Yaningsih, Sri. 1988. Peralatan Hiburan dan Kesenian Tradisional Daerah Nusa Tenggara Barat. Jakarta: Departemen Pendidikan dan Kebudayaan.

Yatminah, Dwi. 2018. “Meningkatakan Aktivitas Belajar dan Kemampuan Bermain Musik Ansambel dengan Model Tutorial Sebaya Bagi Siswa Kelas VIII A SMP Murni 1 Surakarta Semester 2 Tahun 2016/2017”. Jurnal Pendidikan DWIJA UTAMA, Edisi Mei. Surakarta: Forum Komunikasi Guru Pengawas Surakarta.

Downloads

Published

2020-02-12

Issue

Vol. 12 No. 2 (2019)

Section

Articles

License

Copyright

Authors who publish to Sorai: Jurnal Pengkajian dan Penciptaan Musik agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.