PERJALANAN TEKNIK REKAMAN STEREOFONIK PADA KARAWITAN JAWA

Authors

  • Iwan Budi Santoso Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/sorai.v13i2.3550

Keywords:

Recording History, Karawitan, Stereophonics

Abstract

The touch between karawitan and recording technology produce karawitan recording based on stereophonic forms. Stereophonics is a form of the next generation of monophonics recording. Monophonics has a single-track or single- sound while stereophonics emphasizes two-track recording. The recording technique with stereophonics eventually became the main choice in the development of music recording because it is able to bring the sound of music closer to the original. A stereophonic development for karawitan recording does not eventually begin. It is through the stages of time that finally stereophonic recording technology is used in Javanese karawitan recording.

Downloads

Download data is not yet available.

Downloads

Published

2021-10-04

Issue

Vol. 13 No. 2 (2020)

Section

Articles

License

Copyright

Authors who publish to Sorai: Jurnal Pengkajian dan Penciptaan Musik agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.