NGILO DAN MEULI SEBAGAI IMPROVISASI IDIOMATIK
DOI:
https://doi.org/10.33153/sorai.v15i1.4460Keywords:
Improvisation, Idiomatic Improvisation, ngilo, meuli, wawacanAbstract
AbstractThe quest for musical ideas from a local concept found unique and arresting research objects, namely ngilo and meuli on wawacan singing. Ngilo and meuli are a natural phenomenon in the form of reading and singing wawacan text with spontaneity. The article it's written to solve the problem of how the concept of ngilo and meuli similarities with improvised discourses. The discussion in this article begins with the conception of ngilo and meuli in wawacan singing, with a review of improvisation discourse. This article ends with a discussion of the concepts of ngilo and meuli as improvisation. This article is fieldwork through a qualitative way to apply interview and observation methods to research purposes, capable of transcription, cultivating, and arranging the data into an obvious, focused, and coherent data report. The research takes data from interviews, books, articles, and videos of events, including talk shows. In the study, the author find the concept of ngilo and meuli as an uncertain and naturalist form of musical performance. In addition, the conception of ngilo and meuli has technical similarities with idiomatic improvisation that is structured and holds their cultural idioms.AbstrakPenelusuran ide musikal dari konsep lokal menemukan objek penelitian yang unik dan menarik, yakni ngilo dan meuli pada nyanyian wawacan. Ngilo dan meuli merupakan sebuah fenomena natural berupa aktivitas membaca dan menyanyikan teks wawacan secara spontanitas. Artikel ini ditulis untuk menjelaskan kesamaan konsep ngilo dan meuli dengan diskursus improvisasi. Pembahasan pada artikel ini diawali dengan membahas konsep ngilo dan meuli pada nyanyian wawacan, dilanjutkan dengan pembahasan wacana improvisasi. Artikel ini diakhiri dengan pembahasan mengenai konsep ngilo dan meuli sebagai improvisasi. Artikel ini ditulis berdasarkan fieldwork yang menggunakan pendekatan kualitatif untuk mengaplikasikan metode wawancara dan pengamatan sebagai keperluan penelitian, mampu mentranskripsikan, mengolah, dan menyusun data menjadi sebuah laporan data yang jelas, fokus, sistematis dan koheren. Penelitian ini mengambil data dari wawancara, buku, artikel, video pertunjukan, dan talk show. Pada penelitian ini, penulis menemukan konsep ngilo dan meuli sebagai peristiwa tidak pasti dan naturalis bentuk pertunjukan musiknya. Selain itu, konsepsi ngilo dan meuli memiliki kesamaan secara teknis dengan improvisasi idiomatik yang terstruktur dan memegang idiom budayanya.Downloads
References
Buku:
Bailey, Derek. 1993. Improvisation: Its Nature and Practice in Music. United States of America: Da Capo Press.
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Laporan Penelitian/ Jurnal Ilmiah:
Daniel Milan Cabrera & Yudi Sukmayadi. 2020. An Introduction to Free Improvisation Music Through YouTube. Proceedings of the 3rd International Conference on Arts and Design Education (ICADE 2020). Bandung: Fakultas Pendidikan Seni dan Desain-Pascasarjana Universitas Pendidikan Indonesia.
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Hedges, S. A. 1978. Dice Music in the Eighteenth Century. Music & Letters, Vol. 59, No. 2 (Apr., 1978), pp. 180-187. Great Clarendon St. Oxford OX2 6DP, UK: Oxford University Press. Stable URL: http://www.jstor.org/stable/734136
Scott, R. 2014. “Free improvisation and nothing: from the practice of scape to a bastard science”, ACT – Zeitschrift für Musik & Performance, Ausgabe, 2014/5.
D. Nurfajrin Ningsih, Aceng Rahmat, dan Siti Gomo Attas. 2021. Structure and Function Of The Beluk Oral Tradition. Proceedings Of The First International Seminar ISSHE 2020, November 25, Indonesia.
Internet:
https://www.youtube.com/watch?v=NBG8evAuuzY. Paraguna Masagi. Gunem Catur #5 Jurusan Karawitan "Nyaliksik Sekar Tradisi". [Talk Show]. Bandung: Jurusan Karawitan ISBI Bandung. Diakses 09 Juli 2021.
https://youtu.be/Ynr3TNFyCG0. NGOBAT #90 – Ngomongkeun Ngarawat Tradisi Seni Pantun. Nara Sumber: Kang Lili - Kang Ajo. [Talk Show]. Bandung: Budi Dalton NGOBAT Official. Diakses 17 Februari 2020.
Narasumber:
Dr. Lili Suparli, M.Sn. 55 Tahun, Profesi Dosen dan Pelaku Seni.
Tarjo Sudarsono, S. Kar., M.Sn, Usia 60 Tahun, Profesi Dosen dan Pelaku Seni.
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