DAPUR KE PANGGUNG: BENTUK DAN MODA PERTUNJUKAN TALEMPONG GANDANG LASUANG

Authors

  • Tri Ananda Sekolah Pascasarjana Universitas Gadjah Mada
  • Wiwik Sushartami Universitas Gadjah Mada
  • Aton Rustandi Mulyana Institut Seni Indonesia (ISI) Surakarta

DOI:

https://doi.org/10.33153/sorai.v16i1.5005

Keywords:

performance, modes change, talempong, gandang lasuang, women

Abstract

Talempong Gandang Lasuang Talempong Gandang Lasuang is one of the Minangkabau women's talempong music ensembles in Sikapak Timur Village, Pariaman City. This art had disappeared in Sikapak in the 1980s and reappeared in 2010 with a different performance space, from the kitchen to the stages of the performing arts realm followed by changes in its formal elements. This study aims to determine changes in the form and mode of TGL performances in the kitchen and on stage. This research is a qualitative research. The results of this study show that, TGL kitchen and stage are performance events with different forms and modes of performance.  As a talempong music ensemble, the change of TGL from the kitchen to the stage is related to six basic elements of music namely transition, style, genre, text, movement and composition. The formal elements are presented in two modes of performance according to the space; kitchen and participatory mode which contains the idea of play; stage and presentational mode which contains the idea of display.

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Author Biographies

Tri Ananda, Sekolah Pascasarjana Universitas Gadjah Mada

Mahasiswa Program Studi Magister Pengkajian Seni Pertunjukan dan Seni Rupa Sekolah Pascasarjana Universitas Gadjah Mada

Wiwik Sushartami, Universitas Gadjah Mada

Dosen Universitas Gadjah Mada

Aton Rustandi Mulyana, Institut Seni Indonesia (ISI) Surakarta

Dosen Program Studi Etnomusikologi Institut Seni Indonesia (ISI) Surakarta

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Published

2023-12-22

Issue

Vol. 16 No. 1 (2023)

Section

Articles

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