JEJAK MAJAPAHIT: KOMPOSISI MUSIK PROGRAMA BERDASARKAN CERITA LEGENDA AIR MAJAPAHIT DI NEGERI EMA
DOI:
https://doi.org/10.33153/sorai.v16i2.5651Keywords:
History of Air Majapahit, Traces of Majapahit, narrative program music, variationsAbstract
The history of Air Majapahit is one of the events of the arrival of Princess Majapahit in Negeri Ema which has been told orally from generation to generation. The history of Majapahit Water can be proven true by the existence of Majapahit kingdom relics in the form of heirloom spears, Gamelan, Betel places and Majapahit springs which are still well preserved in Negeri Ema. Based on this phenomenon, it was then used as a nonmusical concept to work on a musical composition. The composition of Traces of Majapahit is a narrative program musical work which contains elements of the history of Air Majapahit, which was created in the form of varied music and using western instruments. The process of creating the musical composition Traces of Majapahit went through several stages, namely (1) exploration of literature regarding musical disciplines and observation of Majapahit water history; (2) processing the relationship between musical elements and nonmusical concepts as a basis for the construction of musical compositions; (3) cultivating musical elements into variations using the main theme development procedure from Leon Stein’s theory; (4) presentation of the work in orchestra format. This work contains cultural value in the almost forgotten relationship between the Majapahit kingdom and Negeri Ema, so that through this work it is hoped that the history of Air Majapahit will be preserved.Downloads
References
Buku
Abdullah, P. M. (2015). Metodologi Penelitian Kuantitatif. yogyakarta: Aswaja Pressindo.
Banoe, P. (2003). Kamus Musik. yogyakarta: Kanisius.
Hasibuan, H. (2019). Karya Musik Absolut. Melodious, 2.
Karp, T. (1973). Dictionary of Music. New York.
McDermatt, V. (2013). Membuat Musik Biasa Menjadi Luar Biasa. Art Music Today.
Mudjilah, H. S. (2010). Diktat: "Teori Musik 1". Yogyakarta: Universitas Negeri Yogyakarta.
SJ, K.-E. P. (2004). Ilmu Bentuk Musik. Yogyakarta: Pusat Musik Liturgi.
Stein, L. (1979). Structure and style. New Jersey: Summy-Birchard Music.
Strube, G. (1712). The Theory and Use of Chords. Philadelphia: Oliver Ditson Company.
Sukerta, P. M. (2011). Metode Penyusunan Karya Musik. Solo: ISI Press Solo.
Sunarto, B. (2020). Epistemologi Penciptaan Seni. Surakarta: ISI Press.
Jurnal
Mujabuddawat, M. A. (2018). Jejak Kedatangan Majapahit di Pulau Ambon. PURBAWIDYA: Jurnal Penelitian dan Pengembangan Arkeologi, VII
Hasibuan, H., 2019, Jurnal: Melodious : Karya Musik Absolut, Universitas Tanjungpura
Raharja, W. K. Y. P., 2018, Jurnal: Penerapan Improvisasi Menggunakan Titi Laras Pelog Pada Gitar Elektrik, ISI Yogyakarta
Widianto, M. I. (2021). Metode Penggarapan Musik Ilustrasi theSound of Crusader. Jurnal Seni Pertumjukan.
Skripsi, Tesis, Disertasi
Hayuningrum, Y. W. (2014). Tesis: Orisilalitas Suatu Karya Cipta. Semarang: Universitas Diponegoro.
Manuhua, P. (2021). Tesis: Toami (Representasi Hatolisa dan Baileo Kedalam Musik Program Untuk Ansambel). Ambon: Institut Agama Kristen Negeri Ambon.
Sopamena, I. L. (2014). Skripsi: Perang Pattimura: Penyerbuan Benteng Duurstede. Ambon: Institut Agama Kristen Negeri Ambon.
Situs
kbbi.lektur.id.(n.d.). https://kbbi.lektur.id/jejak. Diambil pada 12 Juni 2023, dari https://kbbi.lektur.id/: https://kbbi.lektur.id/jejak
KBBI. (2023, juli 11). KBBI online. Diambil dari Kamus Besar Bahasa Indonesia: https://kbbi.web.id/ide
Narasumber
Bpk. Zakaria Erasmus Maitimu (77), Tua adat Negeri Ema (Pelatih nyanyian Suhat, Pemain totobuang)
Bpk. Philipus Maitimu (76), Tua adat Negeri Ema (Kepala Soa Soalisa)
Bpk. Josefath Maitimu (55), Orang yang menyimpan barang-barang peninggalan Putri Majapahit.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Dewi Tika Lestari
![Creative Commons License](http://i.creativecommons.org/l/by-sa/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Copyright
Authors who publish to Sorai: Jurnal Pengkajian dan Penciptaan Musik agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or edit it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) before and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.