KRIYA KULIT KREATIF PENGEMBANGAN WAYANG KULIT PURWA
DOI:
https://doi.org/10.33153/acy.v8i1.1907Abstract
Creativity is the ability to create something, which always develops in a person, including of crafts works and puppet. The study purposes were reviewed and data analyzed on: the creativity in the craft work, the diversity of puppet craft creations, design the creative puppet development and explain various examples of leather craft works on Purwa puppet development. The study method was adopted qualitative research character. The data analysis was used qualitative reasoning and iconography comparison. From the research results can be formulated the notion of creativity and creative craft creation. In practice of leather craft creation was required of art workmanship foundation, the datasource for exploration, and work practices methods. The diversity of the puppet art in Indonesia it can be noted that there are 55 types of puppets, which are mostly found in Java, and the most popular, widespread, and most of characters forms is the Purwa puppet. In the puppets creation was through
the process of drawing, pattern or mbabon, inlaid, painting, and finishing. Subsequently reported the form of various creations of leather craft-themed puppet with an explanation, which including of the creation of puppets development for performances, works of leather craft was developed from Purwa
puppet element, some new creations puppets, puppet crafts for wall hangings, decorativelighting and puppets patterned shutter, and leather puppets craft for souvenirs.
Keywords: puppets, creative, crafts, diversity.
Downloads
References
Agus Ahmadi, 2014, Kriya Wayang Kulit Purwa Gaya
Surakarta, Identifikasi Pola, Aneka Tatahan
dan Sunggingan, Surakarta: ISI Press.
Bambang Suwarno, 1999, “Wanda Wayang
Kaitannya dengan Pertunjukan Wayang
Kulit Purwa Masa Kini†TESIS, Program
Pascasarjana UGM, Yogyakarta.
Haryanto S, 1991, Seni Kriya Wayang Kulit, Jakarta:
Pustaka Umum Grafiti.
Jakob Sumardjo, 2000, Filsafat Seni, Bandung:
Penerbit ITB.
Muhamad Cholim Purnawan; 2014, “Epos Ramayana
Sebagai Sumber Ide Karya Lukis Kacaâ€,
Deskripsi TA, FSRD ISI Surakarta.
Senawangi, 2004, Katalog Pameran Wayang Indonesia “The Development of Wayang Indonesia as a Humanistic Cultural Heritage†19-30 Avril /April, 2004, Exposition
de figurines WAYANG INDONESIA,
I’UNESCO.
Soedarso Sp., 1987, dalam makalahnya “Morfologi
Wayang Kulit Dipandang dari Jurusan
Bentuk†Pidato Ilmiah Dies Natalis Ketiga
ISI Yogyakarta, 25 Juli 1987.
Soedarsono R.M., 1997, WAYANG WONG: Drama
Tari Ritual Kenegaraan di Kraton
Yogyakarta, Gadjah Mada University
Press: Yogyakarta.
Tim Penulis Senawangi, 1999, Ensiklopedi Wayang
Indonesia, Jilid 1 s.d 6, Jakarta:
Senawangi (Sekretariat Nasional
Pewayangan Indonesia).
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Agus Ahmadi

This work is licensed under a Creative Commons Attribution 4.0 International License.
Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights