STUDI KONSEP DAN BENTUK KARYA SENI RUPA MURNI MODERN INDONESIA YANG TERINSPIRASI SENI TRADISI NUSANTARA
DOI:
https://doi.org/10.33153/acy.v8i2.1947Abstract
This study aims to explain the concepts and forms of modern works of pure art that is inspired by nusantara traditional arts. The nusantara traditional art, here, not on geographical constraints but in cultural areas. This particular study, the research area is the Yogyakarta and Surakarta. This study also continued to restrict and emphasis on the works of pure art, especially modern art that is inspired by the art of Javanese tradition, but did not rule on the works of art inspired by the nusantara traditional arts other than Java. This study uses the aesthetic approach of Clive Bell confirms the significant form. The analysis is the interpretation of the analysis applied to give appreciation to the concepts and art forms that become the object of research. This study takes an object of art created by I Gusti Nurata Nengah, Heri Dono, and Soegeng Toekio. The findings produced is the concept and form of the works of modern art that is inspired by the Nusantara traditional art not necessarily present because the influence of the trend alone, but is the result of a personal experience that in regard to the events in the life of the natural and social environment, and manifested in personal expression in line with experience aesthetic inspired by the concept and the traditional art form experienced and understood. The forms were present were not 100% like in the traditional arts, but still feels inspiring visual character of locality tradition, both in terms of technique, color or deformationof the display. Forms of the puppets and wayang beber be one option is a reference in the visual reinterpreting the tradition art references terkair especially its art.Keywords: pure visual arts, concept, form, nusantara traditional art.Downloads
References
Asmudjo Jono, 2000, “Konteks Tradisi dan SosialPolitik dalam Seni Rupa Kontemporer
Yogyakarta Era ’90-an, dalam Buku, OUTLET Yogya Dalam Peta Seni Rupa
Kontemporer Indonesiaâ€, Yogyakarta;
Yayasan Seni Cemeti.
Dharsono, 2000, “Seni Lukis Indonesia; Sebuah
Catatan Perjalanan dan Konsepsi
Alternatifâ€, dalam Jurnal Seni Rupa dan
Desain, Volume 1.1, STISI, Bandung.
Dharsono, 2007,Estetika, Rekayasa Sains;Bandung.
Dharsono, 2012 dalam buku yang berjudul, Seni Lukis
Wayang, ISI Surakarta Press.
Humar Sahman, 1993,Mengenali Dunia Seni Rupa,
IKIP Semarang Press.
Jakob Sumardjo, 2009, Asal-Usul Seni Rupa Modern Indonesia, Kelir; Bandung
Matius Ali. 2009, Estetika Sebuah Pengantar
Filsafat Keindahan, cetakan II, Sanggar
Luxor, Tangerang,
Rizki Zaelani A., 2002, “Persoalan (Atas Nama) High
Art, dalam Trilogi Buku, Aspek-Aspek
Seni Visual, Indonesia Identitas dan
Budaya Massaâ€, Edisi I, Yogyakarta:
Yayasan Seni Cemeti.
Narsen Afatara, 2001, dengan judul “Pengembangan
Industri Seni Lukis Wayang Beber Sebagai
Aset Pariwisata Di Surakartaâ€, dalam
laporan penelitian hibah bersaing IX/I
Tahun 2001-2002.
Muhammad Chaidir, 2014, Kajian Visual Gambar
Beber Karya Soegeng Toekio Tahun 2011-
, Skripsi, FSRD ISI Suarakarta.
The Liang Gie, 1996, Filsafat Keindahan,
Yogyakarta: Pusat Belajar Ilmu Berguna
(PUBIB).
Walker,John ,1976, Glossary Of Art, Architecture
and Design Since 1945, Clive Bingley
London & Linnet Books Hamden.Conn
Narasumber
Soegeng Toekio, 73 tahun, Seniman dan pensiunan
dosen seni rupa ISI Surakarta, tinggal di
Surakarta
I Gusti Nengah Nurata, 59 tahun, Seniman dan dosen
FSRD ISI Surakarta, tinggal di Surakarta.
Heri Dono, Seniman, tinggal di Yogyakarta
Downloads
Published
Issue
Section
License
Copyright (c) 2017 Tonny Purnomo

This work is licensed under a Creative Commons Attribution 4.0 International License.
Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights