PROSES KREATIF PEMERANAN RUTH MARINI DALAM MONOLOG WANCI KARYA IMAS SOBARIA
DOI:
https://doi.org/10.33153/acy.v9i1.2126Abstract
Ruth Marini’s creative process in performing Wanci Monologue by Imas Sobariah, was Ruth Marini’sattempt in exploring various stages of work or creativity in the role of Icih as the main character in Wanci
Monologue. As a consequence of the singular characterization of the monologue, the subsequent search
was directed at the specific creativity that Ruth Marini had done in transforming the Icih character to the
role of several other figures as a result of Icih’s narrative of her past which later spawned tragic stories in
her life. The search for this creative process was thus focused on the creative ways that Ruth Marini
pursued in developing role play or acting, including the stimulants that supported the maximal acting of
Ruth Marini in the Imas Sobariah’s Wanci Monologue.Stimulants that were excavated for the development
of Ruth Marini’s acting was traced through various views of Ruth Marini works of art, especially Ruth
Marini’s perspective on acting in a monologue. The conclusion of the views of art and acting would be
preceded by exploring some of Ruth Marini’s works of art through previous performances to understand
Ruth Marini’s contributions to her artistic enrichment process, specifically to the development of acting
that was required in the Wanci Monologue by Imas Sobariah.
Keywords: Monologue,art perspective, acting.
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