THE ELABORATION OF SACRED AND PROFANE IN FINE ART WORK ENTITLED "WHEN HANDS AND FEET ARE TALKING”
DOI:
https://doi.org/10.33153/acy.v16i1.6028Abstract
The article "Sacred and Profane Elaboration in a Work of Art Titled When Hands and Feet Speak" by Much. Sofwan Zarkasi and Bening Tri Suwasono explores the intersection of sacred and profane elements in art, a convergence rarely seen in modern works that typically separate art and religion. This meeting of sacred and profane is grounded in Islamic prophetic values derived from Quranic knowledge. The authors argue that since the purpose of human life is to worship, and art is a part of human activity, art should also encompass the concept of worship. Thus, art becomes a blend of sacred and profane activities, presenting visual beauty and values that remind humans to protect the world from harm. The method used in creating "When Hands and Feet Speak" follows the stages of creation by L.H. Chapman: a) finding ideas, b) refining, developing, and solidifying initial ideas, and c) visualizing in the medium. This process is enhanced by adding d) the intention to work for worship at the beginning and including evaluation and gratitude at the end. The technique combines printmaking and collage to produce the final artwork. Keywords: Elaboration, Sacred, Profane, Fine ArtsDownloads
References
Al-Quran Cordoba. (2012). Al-Quran Cordoba, 2012,”the amazing, 33 tuntunan Al-Quran untuk hidup anda, Cordoba International, Indonesia.
Alif, N., Mafthukhatul, L., & Ahmala, . M. (2020). AKULTURASI BUDAYA JAWA DAN ISLAM MELALUI DAKWAH SUNAN KALIJAGA. Al’adalah, 23 no 2. https://doi.org/https://doi.org/10.35719/al adalah.v23i2.32
Bambang Sunarto. (2021). Epistemologi Penciptaan Seni (Agus S (ed.); ke 3). Idea Press Yogyakarta.
Didit Endriawan, D. T. (2015). INTERPRETASI SPIRITUALITAS PADA KARYA SENI PATUNG AMRIZAL SALAYAN. Jurnal ATRAT | Journal of Visual Arts Containing Scientific Works on Art Culture Studies Which Includes Fine Art, Craft, and Design, 3 no 1, 387. https://doi.org/http://dx.doi.org/10.26742 /atrat.v3i1.387
Dr. Kuntowijoyo. (1991). paradigma islam, Interpretasi untuk aksi (A.E. Priyono (ed.)). Penerbit Mizan.
Heddy Shri Ahmisa-Putra. (2017). Paradigma Profetik: Epistemologi, Etos, dan Model (Andayani (ed.); 5th ed.). Gajah Mada University Press.
Herawati, A. (2015). KEINDAHAN SEBAGAI ELEMEN SPIRITUAL PERSPEKTIF ISLAM TRADISIONAL. Jurnal Kawistara, 5(2). https://doi.org/10.22146/kawistara.7588
Humar Sahman. (1993). Mengenali Dunia Seni Rupa (cetakan pe). IKIP Semarang Press.
I Putu Gede Parmajaya. (2020). Seni Sakral dan Sekuler Suatu Problema Dalam Kehidupan Sosial Religius: Perspektif Yadnya Umat Hindu di Bali. Kamaya Jurnal Ilmu Agama, 3 no 1. https://doi.org/https://doi.org/10.37329/k amaya.v3i1.377
IVVA. (n.d.). Pelaku Seni AD Pirous. http://archive.ivaa- online.org/pelakuseni/ad-pirous-1
Jannah, I. L. (2017). Resepsi Estetik Terhadap Alquran pada Lukisan Kaligrafi Syaiful Adnan. Nun : Jurnal Studi Alquran Dan Tafsir Di Nusantara, 3(1).
Martin Suryajaya. (2016). Sejarah Estetika era klasik sampai kontemporer (pertama).
Masroer Ch. Jb. (2015). SPIRITUALITAS ISLAM DALAM BUDAYA WAYANG KULIT MASYARAKAT JAWA DAN SUNDA. Jurnal Sosiologi Agama Dan Perubahan Sosial, 9 no 1, 38–61. https://doi.org/https://doi.org/10.14421/js a.2015.091-03
Mawardi, K. (2013). SENI SEBAGAI EKSPRESI PROFETIK. IBDA’: Jurnal Kajian Islam Dan Budaya, 11 no 2(Kajian Islam dan Budaya). https://doi.org/https://doi.org/10.24090/ib da.v11i2.74
Mutmainnah, N. N., & Arifuddin, A. (2021). SENI BUDAYA SEBAGAI MEDIA DAKWAH. Mecusuar, 2 no 1. https://journal3.uin- alauddin.ac.id/index.php/mercusuar/articl e/view/19568
Nirwan Wahyudi AR, M. (2021). Trilogi Dakwah Rhoma Irama: Dakwah, Tablig, dan Politik. DIRASAT ISLAMIAH:JURNAL KAJIAN KEISLAMAN, Volume 2,(DIRASAT Islam. Kaji. Keislam.), 107–124. https://e- journal.faiuim.ac.id/index.php/dirasatisla miah/article/view/22/46
P2K Universitas Teknologi Nusantara. (n.d.). kapel sistina. Https://P2k.Utn.Ac.Id/Ind/2-3077- 2966/Sistine-Chapel_167822_utn_p2k- Utn.Html. https://p2k.utn.ac.id/ind/2- 3077-2966/Sistine- Chapel_167822_utn_p2k-utn.html
Surya Wijaya, Y., Maarif, S., Seni Pertunjukan dan Seni Rupa, P., & Gadjah Mada, U. (2021). ESENSI MANUSIA SEBAGAI MAKHLUK BERSENI DAN BERAGAMA. In Jurnal Kajian Seni (Vol. 07, Issue 02).
Turalaki, M. Y. M. (2013). SENI VISUAL DI DALAM IBADAH KOMUNAL SEBAGAI SARANA FORMASI IMAN KRISTEN. In http://repository.sttaa.ac.id/id/eprint/244 . http://repository.sttaa.ac.id/id/eprint/244/
Widayanti. (2008). MAKNA FILOSOFIS KEMBAR MAYANG DALAM KEHIDUPAN MASYARAKAT JAWA. Https://Journal.Ugm.Ac.Id/Wisdom/Artic le/View/3520/10280, 18. https://journal.ugm.ac.id/wisdom/article/ view/3520/10280
Yuwono, B. (2020). Pengaruh Teori Seni Barat Dalam Desain Iklan. AKSA: JURNAL DESAIN KOMUNIKASI VISUAL, 1(2), 133–147. https://doi.org/10.37505/aksa.v1i2.11
Zuhdi, M. R. (2019). CITRA REPETISI DALAM SENI GRAFIS. Journal of Contemporary Indonesian Art, vol V no 1(seni grafis), 55–61. https://journal.isi.ac.id/index.php/jcia/arti cle/view/2521/2057
Downloads
Published
Issue
Section
License
Copyright (c) 2024 Much. Sofwan Zarkasi, Bening Tri Suwasono

This work is licensed under a Creative Commons Attribution 4.0 International License.
Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights