JAVANESE FARMERS’ PRANATA MANGSA CONCEPT AS THE IDEAS OF WAYANG BEBER CREATION

Authors

  • Faris Wibisono Institut Seni Indonesia Surakarta
  • Basuki Teguh Yuwono Padepokan Keris Brojobuwono Karanganyar

DOI:

https://doi.org/10.33153/artistic.v4i1.4499

Keywords:

farmers, pranatamangsa, sungging, wayangbeber

Abstract

Javanese farmers practice the pranatamangsaas their agricultural way. This conception has guided the Javanese agricultural approach in treating nature for generations from their ancestors to the present day. This teaching also inspires the creation of wayangbeberwith the sunggingtechnique. The creation process consists of three phases, namely (1) exploration, (2) design, and (3) realization. The resulting work is divided into 24 pejagongsand six scrolls of wayangbeber, with each pejagongcontaining a continuous narrative. The applied sunggingancolors represent the changing seasons, while the gununganof kala at the beginning and conclusion of each pejagong represents the change in time and setting. The descriptions are separated into various categories, including the farming community, village officials, religious leaders, and intermediaries.

Downloads

Download data is not yet available.

References

Ahmadi, A. (2005). Tatah Sungging Kulit (Diktat Bahan Ajar). Jurusan Kriya ISI Surakarta.

Bratasiswara, R. H. (2000). Bauwarna Adat Tata Cara Jawa. Yayasan Suryasumirat.

Child, W. C. (2000). Monroe Beardsley’s Three Criteria for Aesthetic Value: A Neglected Resource in the Evaluation of Recent Music. The Journal of Aesthetic Education, 34(2), 49–63. https://doi.org/10.2307/3333576

Grahita, Banung; Komma, T. (2014). Identification of The Character Figure s Visual Style i n Wayang Beber of Pacitan Painting.

International Journal of Asia Digital Art and Design Association, 18(3), 40–47. https://doi.org/10.20668/adada.18.3_40

Gustami, S. . (2007). Butir-Butir Mutiara Estetika Timur : Ide Dasar Penciptaan Seni Kriya Indonesia. Prasista.

Kusumadilaga, K. P. (1930). Jagal Birawa. Bale Pustaka.

Margana; Rohidi, Tjetjep Rohendi; Iswidayati; Kartika, D. S. (2018). Values of Character Education Contained in Wayang Beber Pacitan Performance. The Journal of Educational Development, 6(1), 67–78. https://doi.org/10.15294/JED.V6I1.20734

Saputri, Puput; Yuwono, B. T. (2022). The Creation of Raden Adjeng Kartini’s Putut Dhapur Keris. ARTISTIC : International Journal of Creation and Innovation, 3(1), 89–114. https://doi.org/10.33153/artistic.v3i1.4454

Sindhunata. (2009). Ana Dina Ana Upa Pranata Mangsa. Bentara Budaya Yogyakarta.

Subandi; Yuwono, Basuki Teguh; Prabowo, Rahayu Adi; Aswoyo, J. (2011). Wayang Beber Remeng Mangunjaya Gelaran Wonosari dan Wayang Beber Jaka Kembang Kuning Karangtalun Pacitan Serta Persebarannya di Seputar Surakarta. ISI Press.

Downloads

Published

2023-05-12

How to Cite

Wibisono, F., & Yuwono, B. T. (2023). JAVANESE FARMERS’ PRANATA MANGSA CONCEPT AS THE IDEAS OF WAYANG BEBER CREATION. ARTISTIC : International Journal of Creation and Innovation, 4(1), 1–26. https://doi.org/10.33153/artistic.v4i1.4499

Issue

Section

Articles