SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE

Authors

  • Chatur Rhama ISI Surakarta
  • Tatik Harpawati ISI Surakarta

DOI:

https://doi.org/10.33153/artistic.v4i1.5068

Keywords:

cross style, wayang, East Java, Surono

Abstract

Surono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? This discussion uses a qualitative method with Sunardi and Umar Kayam's cross-styled approach. Observational and interview-based were analyzed descriptively and qualitatively. The study results indicate that Surono's performance uses a cross-styled approach between the Surakarta style as the dominant style and the East Java and the Yogyakarta styles as the supporters. Surono's cross-style has made his performance attractive to contemporary spectators.

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References

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Published

2023-05-12

Issue

Vol. 4 No. 1 (2023)

Section

Articles

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