LELAYU : A SYMBOLIC REPRESENTATION OF FLOWER PORTRAITS
DOI:
https://doi.org/10.33153/artistic.v6i2.7152Keywords:
The beauty of flowers, Wilthering, Portraits, Paintings, symbolismAbstract
Lelayu is a painting series consisting of six works. This art seeks to transcend stereotypes associated with beauty. In this instance, perception can ultimately establish a stereotype for evaluation, particularly in the realm of beauty, which often involves an exaggerated impression of imperfection—resulting in the designation of ugliness—within the framework of withering. The presence of beauty stereotypes motivates our work. The painting method, employing a symbolic representational approach, serves as a conduit to perception, both presuming that perception consists of sensory impressions that are invariably interpreted directly. Flowers serve as a defining symbol of beauty and are the subject matter of this work. The symbolic representation of flowers ultimately embodies beauty through the depiction of withered flowers. The flower is depicted as a subject on the canvas, creating a portrait format that evolves from the still life impression, serving as an evaluation of the stereotypical perception that arises between the appreciators and the artwork. The symbolism of solitary, wilting flowers in the landscape underscores the notion that beauty is not represented solely in perfection, but also in imperfection. The wilted flowers ultimately symbolize the news of death, rendering the journey towards wilting and death as a form of beauty.
Downloads
References
Braembussche, A. V. d. (1994). Thinking Art (M. Krassilovsky, R. H. C. de Groot, & D. van Spronsen, Trans.
Eco, U. (2007). On Ugliness (E. Sgarbi, Ed.; A. McEwen, Trans.; 1st ed.). British Library.
Fewless, G. (2006). Phenology. http://Www.Uwgb.Edu/Biodiversity/Phenology/Index.Htm.
Huss, E., Yosef, K. B., & Zaccai, M. (2018). Humans’ relationship to flowers as an example of the multiple components of embodied aesthetics. Behavioral Sciences, 8(3). https://doi.org/10.3390/bs8030032.
Manoj, H.M., Brahma, N., Chandrakar, S., Thengal, T. (2025). Aesthetic and Therapeutic Values of Floriculture. In Innovations in Floriculture and Landscaping: Art, Science and Sustainability. Stella International Publication, 216- 234.
Huss, E., Yosef, K. B., Zaccai, M. (2017). The Meaning of Flowers: A Cultural and Perceptual Exploration of Ornamental Flowers. The Open Psychology Journal, DOI: 10.2174/1874350101710010140.
Karamah, A. M. (2020). Bunga sebagai Representasi Hati Wanita.
Lawrence, R. G. (2004). The Wabi-SabiHouse: The Japanese Art of Imperfect Beauty. New York : Clarkson Potter. https://archive.org/details/wabisabihouse00roby/page/n1/mode/2up
Lippmann, W. (1922). Types of Stereotypes.
Man-Ray. (n.d.). The Art Story Foundation. Retrieved May 12, 2024, from https://resources.saylor.org/wwwresources/archived/site/wp-content/uploads/2012/02/ARTH208-4.3.4-Man-Ray.pdf
Oustinoff, M. (2019). In The Avatars of the Stereotype.
Sheppard, A. (1987). Aesthetics: An Introduction to the Philosophy of Art. Oxford University Press.
Shoberi, F. (1848). The Language of Flowers (10th ed.). Harvard College Library.
Suwito, S., Sriyanto, A., & Hidayat, A. (2015). Tradisi dan Ritual Kematian Wong Islam Jawa. IBDA’ : Jurnal Kebudayaan Islam, 13(2), 197-216.
Widigdo, R. M. H. S. (2019). Anggrek Bulan (Phalaenopsis) sebagai Obsesi Ide Perwujudan Karya Tugas Akhir.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Agnes Indah Permatasari, Rizki Akhmad Zaelani Harry, Muksin

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Copyright
Authors who publish with Artistic agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0