DECISIVE MOMENT IN PERFORMING ART PHOTOGRAPHY: BETWEEN AESTHETIC SENSE AND CREATIVE PRACTICE

Authors

  • Jauhari Jauhari Universitas Sebelas Maret
  • M. Dwi Marianto Indonesian Institute of The Arts, Yogyakarta, Indonesia 55188
  • Irwandi Irwandi

DOI:

https://doi.org/10.33153/artistic.v6i2.7173

Keywords:

performing arts, photography, Decisive Moment

Abstract

This creative research investigates photographic artworks by referring to Henri Cartier-Bresson's concept of the Decisive Moment. This artistic research aims to create a body of performing arts photography that transcends mere documentation, offering both aesthetic and reflective significance to spontaneously occurring sublime moments. The employed methodology is artistic research characterized by a conceptual framework, visual exploration, and art practices. The resultant work comprises a collection of documented photographs of dance performances captured during the World Dance Day event at Teater Besar ISI Surakarta, Taman Budaya Jawa Tengah, and Pura Mangkunegaran, which encapsulate peak emotional moments, body gestures, and the interplay of space and light, both intuitively and reflectively. This study is grounded in Gilles Deleuze's theory of sublime situations and M. Dwi Marianto's aesthetic insights, which inform the interpretation of artistic moments. The study's findings suggest that the Decisive Moment approach can enhance the documentation of the performing arts by providing a more deeper layer of visual interpretation. This research recommends an in-depth exploration of the interplay between artistic intuition and aesthetic awareness in the creation of performing arts photography.

Downloads

Download data is not yet available.

Author Biography

Jauhari Jauhari, Universitas Sebelas Maret

Lecture

References

Dondero, M. G. (2023). The Experimental Space of the Diagram According to Peirce, Deleuze and Goodman: Concerning Composite Photography, Chronophotography, and Painting. Semiotic Review, 9. https://doi.org/10.71743/g5pn4v44.

Edwards, E. (2012). Objects of Affect: Photography Beyond the Image*. In Annual Review of Anthropology (Vol. 41, Issue Volume 41, 2012, pp. 221–234). Annual Reviews. https://doi.org/10.1146/annurev-anthro-092611-145708.

Guntur, G. (2016). Metode Penelitian Artistik. ISI Press. http://repository.isi-ska.ac.id/2321/.

Jay, M. (2017). Photography and the Event. In Double Exposure Memory and Photography (1st Edition, pp. 1–21). Routledge. https://doi.org/10.4324/9780203792896.

Jin, Y., & Zhao, J. (2021). Cartier-Bresson is Here. Trans Asia Photography, 11(2). https://doi.org/10.1215/215820251_11-2-207.

Kozinets, R., Gretzel, U., & Dinhopl, A. (2017). Self in Art/Self As Art: Museum Selfies As Identity Work. Frontiers in Psychology, 8(2017), 1–12. https://doi.org/10.3389/fpsyg.2017.00731.

Maarif, S. D. (2025, April 9). Apa itu Seni Pertunjukan, Jenis-Jenis, dan Contohnya Seni pertunjukan memiliki bentuk karya yang cukup banyak. Setiap seni pertunjukan punya kekhasan. Simak penjelasan seni pertunjukan selengkapnya. https://tirto.id/apa-itu-seni-pertunjukan-dan-jenis-jenisnya-gbTL.

Marianto, D. (2017). Art & Life Force In a Quantum Perspective. Scritto Books Publishing. https://opac.isi.ac.id/index.php?p=show_detail&id=35170&keywords=#gsc.tab=0.

Phelan, P. (2024). From “The Ontology of Performance: Representation without reproduction.” In The Performance Studies Reader (4th Edition, p. 4). Routledge. https://doi.org/10.4324/9781003282969.

Pimenta, L., & Monte-Serrat, D. M. (2015). The Decisive Moment as an Event in Photographic Discourse. Sino-US English Teaching, 12(12), 984–991. https://doi.org/10.17265/1539-8072/2015.12.015.

Price, D., & Wells, L. (2021). Thinking about photography Debates, historically and now. In Photography (6th Edition, p. 72). Routledge. https://doi.org/10.4324/9780429274183.

Purnama, A. P. (2009). Fotografi Pertunjukan: Fenomenena Tubuh dari Panggung Menjadi Rupa. Resital : Jurnal Seni Pertunjukan, 10(1), 72–79. https://doi.org/10.24821/resital.v10i1.475.

Rachma, F. (2022, February 22). Keindahan Fotografi Seni Pertunjukan. https://www.beritamagelang.id/kolom/keindahan-fotografi-seni-pertunjukan#!.

Rahmadani, R., & Wahyudi, D. B. (2024). The Crative Process of The Si Kenya Kena Lena Dance Work. ARTISTIC : International Journal of Creation and Innovation, 4(2), 128–145.

Rubinstein, D. (2018). Posthuman Photography. In The Evolution of the Image (1st Edition, p. 13). Routledge. https://doi.org/10.4324/9781315442921.

Scharf, A. (2024, August 18). Henri Cartier-Bresson French photographer. https://www.britannica.com/biography/Henri-Cartier-Bresson.

Scott, C. (2020). Street Photography From Brassai to Cartier-Bresson (1st Edition). https://doi.org/10.4324/9781003103905. https://doi.org/10.4324/9781003103905.

Soedjono, S. (2006). Pot-Pourri Fotografi. Penerbit Universitas Trisakti. https://books.google.co.id/books?id=q3wNMwAACAAJ.

Soedarso. (2006). Trilogi seni: Penciptaan, Eksistensi, dan Kegunaan Seni. BP ISI Yogyakarta. https://opac.isi.ac.id/index.php?p=show_detail&id=2738&keywords=#gsc.tab=0.

Suler, J. (2012). The Decisive Moment. International Journal of Applied Psychoanalytic Studies, 9(4), 372–375. https://doi.org/10.1002/aps.1334.

Taylor, A. S. (2017). Performance, Photography, Performativity: What Performance ‘Does’ In The Still Image [Dissertation, University of the Arts London]. http://ualresearchonline.arts.ac.uk/id/eprint/13431/.

Ulmer, J. B. (2016). Photography Interrupted: A Hypermodal Assemblage. Qualitative Inquiry, 22(3), 176–182. https://doi.org/10.1177/1077800415605052.

Vissers, N., & Wagemans, J. (2023). Beyond the Single Picture: Aesthetic Experiences with Photography Series in an Exhibition Context. Psychology of Aesthetics, Creativity, and the Arts, 17(5), 619–631. https://doi.org/10.1037/aca0000417.

Wang, Q., Coemans, S., Siegesmund, R., & Hannes, K. (2017). Arts-based Methods in Socially Engaged Research Practice: A Classification Framework. Art/Research International: A Transdisciplinary Journal, 2(2), 5–39. https://doi.org/10.18432/R26G8P.

Wells, L. (2015). Photography: A Critical Introduction (5th Edition). Routledge. https://doi.org/10.4324/9781315727370.

Wong, Y. W. A., & Patron, E. C. P. (2024). A Review of the Interrelationships between Painting, Photography, Facial Recognition, and Artificial Intelligence Technologies in Portraiture Aesthetics. Athens Journal of Technology and Engineering, 11(2), 167–186. https://doi.org/10.30958/ajte.11-2-4.

Wright, T. (2016). The Photography Handbook (3rd ed.). 8 January 2016. https://doi.org/10.4324/9781315651200.

Yangni, S. (2012). Estetika Seni Rupa (1st ed.). Erupsi Akademia. https://lib.unj.ac.id/slims2/index.php?p=show_detail&id=34869.

Yangni, S. (2023). ESTETIKA HAPTIK: Jejak Sketsa dalam Seni Lukis Indonesia. Penerbit Gang Kabel. https://penerbitgangkabel.com/2023/02/09/estetika-haptik-jejak-sketsa-dalam-seni-lukis-indonesia/.

Yudhanto, S. H. (2025). Desain Media Digital Fundamental. Pena Persada. https://penapersada.id/buku/detail_buku.php?id=2487.

Yudhanto, S. H., Risdianto, F., & Artanto, A. T. (2023). Cultural and Communication Approaches in the Design of Visual Communication Design Works. Journal of Linguistics, Culture, and Communication, 1(1), 79–90. https://doi.org/10.61320/jolcc.v1i1.79-90.

Yuen, W. K. (2021). Chinese Kung-fu Films and the Posthuman Daoism. Journal of Posthumanism, 1(1), 73–86.

Yulianti, N. P., & Soemaryatmi, S. (2022). Crative Process of Halang Dance. ARTISTIC : International Journal of Creation and Innovation, 3(1), 46–64. https://doi.org/10.33153/artistic.v3i1.4431.

Zavoina, S. (2011). A Review of “Sunny Land Pictures from Paradise.” Visual Communication Quarterly, 18(3), 191–192. https://doi.org/10.1080/15551393.2011.599297.

Downloads

Published

2025-10-03

How to Cite

Jauhari, J., Marianto, M. D., & Irwandi, I. (2025). DECISIVE MOMENT IN PERFORMING ART PHOTOGRAPHY: BETWEEN AESTHETIC SENSE AND CREATIVE PRACTICE. ARTISTIC : International Journal of Creation and Innovation, 6(2), 104–122. https://doi.org/10.33153/artistic.v6i2.7173

Issue

Section

Articles