FENOMENA KERIS TERHADAP KEHIDUPAN SOSIAL MASYARAKAT JAWA

Authors

  • Kuntadi Wasi Darmojo Penulis adalah staff pengajar Prodi. Keris dan Senjata Tradisional ISI Surakarta

DOI:

https://doi.org/10.33153/bri.v7i1.1579

Abstract

Keris is a work of art that have aesthetic value and the value of philosophy that can be used as guidance and spectacle, the social life of Java. Kris culture in Indonesia has been known since the 10th century and has continued until now. Kris as objects tradition that has been handed down and there is a change in character bit by bit according the demands of time or the king ( ruler ). When seen his form dagger is an art that has achieved a high level of sophistication and qualifies it has a symbolic meaning, so that the existence of a dagger in the Java community, by most people had believed that the order of the social life of a man is not considered perfect in the achievement of social value if it does not have a keris. The existence of a dagger function in social life has undergone many shifts according to the demands of the times, even in the social and cultural life in contemporary times functions in supporting community has emerged an interesting phenomenon. Kris as non material Cultural Heritage (intangible ) has received recognition from UNESCO as it has among other things: the historical value, aesthetic, social function, philosophy , symbols and mystical .

 

Keywords: Culture, Keris, Function and Society

 

Downloads

Download data is not yet available.

References

Baker, A. H. Manusia dan Simbol, Jakarta: Gramedia, 1987.

Durignand, Jean, Sosilogi Seni, Terj: Yupi Sundari dkk, Bandung: Sunan Ambu STSI Press, 2009.

Dharsono, Estetika, Bandung: Rekayasa Sains, 2007.

------------, Seni dan Budaya,http/kerisologi.multiply.com/journal/item/6

Geertz. Clifford, Kebudayaan dan Agama, Yogyakarta: Kanisius, 1992.

Groneman, Isaac, KERIS JAWA (Der Kris Der Jawa), Internationales

Archiv fur Ethnographie, Band XIX, 1910. Terj, Stanly Hendrawijaya, 2006.

Harmanto, Makna Desain Keris dalam Budaya Jawa, Jakarta :Kompas, (Januari 2009).

Harsrinuksmo, Bambang, Ensiklopedi Budaya Indonesia, tentang Keris dan Senjata Tradisional Lainnya,Jakarta: Gramedia Pustaka Utama,2009.

Hauser, Arnold, The Sosiology of Art, Chicago and London: The University of Chicago Press, 1974.

Kuntjaraningrat Pengatar Ilmu Antropologi 1999. Jakarta : PT Rineka Cipta. Hal 203

Mulder, Niel, Kepribadian Jawa dan Pembangunan Nasional, Yogjakarta, Gajah Mada University Press,1984.

Santoso, Soewito, Urip-Urip, memperingati 25 tahun KRT HardjoNagoro sebagai Ketua Presidium

Museum Radya Pustaka, Surakarta: Museum Radya Pustaka, 1990

Suparno, Slamet. T, “Seni Sebagai Produk Masyarakat ataukah Ma

syarakat Sebagai Produk Seniâ€, Makalah Pidato Pengukuhan Jabatan Guru Besar dalam Bidang Ilmu Sosiologi Seni, Rapat Senat Trebuka ISI Surakarta,2008.

Sumardjo, Jakob, Filsafat Seni,Bandung: ITB, 2000

Suryono, Joko S, “Tranformasi Keris Jawa,†Tesis S2 Pengkajian Seni Rupa ISI Surakarta, 2009.

Sutopo HB, Pengantar Penelitian Kualitatif dasar-dasar Teoritis dan Praktis, Surakarta : Pusat Penelitian UNS. 1986.

Warto. Makna Desain Keris dalam Budaya Jawa, diakses melalui www.kerisindonesia.net.

NARA SUMBER

Dharsono ( 65 ), Guru besar Seni Rupa dan budayawan tinggal di Surakarta

Joko Suryono (60), pemerhati dan dosen keris tinggal di Surakarta

Subandi (60), empu kamardikan tinggal di Surakarta

Sugeng TM (70), permerhati keris dan dosen seni rupa tinggal di Surakarta

Sukadno Purwoprojo (75), pemerhati keris (Bawarasa) tinggal di

Surakarta

Downloads

Published

2016-06-13

How to Cite

Darmojo, K. W. (2016). FENOMENA KERIS TERHADAP KEHIDUPAN SOSIAL MASYARAKAT JAWA. Brikolase : Jurnal Kajian Teori, Praktik Dan Wacana Seni Budaya Rupa, 7(1). https://doi.org/10.33153/bri.v7i1.1579

Issue

Section

Articles