KEBERADAAN KERAJINAN LOGAM DI TUMANG CEPOGO BOYOLALI

Authors

  • Kuntadi Wasi Darmojo Fakultas Seni Rupad dan Deain ISI Surakarta

DOI:

https://doi.org/10.33153/bri.v10i1.2173

Abstract

ABSTRACT Metal Crafts in Tumang, Cepogo, Boyolali, is one of the nation's cultural assets that has been passed down through generations from generation to generation, which is still occupied by the majority of Tumang people. The tradition of making products in Tumang metal handicrafts has undergone significant changes, where from the beginning of its establishment until before the 1960s, the results of products oriented to household items, then in the early 1970s until now have experienced object-oriented product changes ornamental.Factors that cause cultural change through new products include: internal and external factors, impulses and direction of the process of change (innovation), as well as various phenomena of socio-cultural change. Internal factors are driven by the creativity of metal craft makers, while external factors are triggered by scholars, artists, or other innovation figures.Changes in Tumang metal handicraft products have implications for the community, marked by a professional division of labor and the establishment of new institutions. The existence of metal crafts in Tumang, as an art product in society is still accepted in accordance with the development and changes in civilization of its supporting society. Keywords: crafts, metals, Tumang, changes and products

Downloads

Download data is not yet available.

References

DAFTAR PUSTAKA

Durignand, Jean, 2009, Sosiologi

Seni, Terj: Yupi Sundari dkk,

Bandung: Sunan Ambu STSI

Press.

Guntur, 2000, “Keramik Kasongan

dan Desain Baru: Kontinui

tas dan Perubahannya,†Te

sis UGM Yogyakarta.

Kontjaraningrat, 1974, Kebudaya

an, mentalitet, dan pem

bangunan, Jakarta: Grame

dia.

--------------------, 1990, Pengantar

Ilmu Antropologi Jakarta: PT

Rinekasipta.

Kuntadi Wasi Darmojo, 2002 ,

“Keberadaan Kriya logan di

Tumang, Boyolali†Surakarta,

Skripsi STSI Surakarta.

Lury Celia, 1980, Budaya Konsumen, Terj : Hasti T.

Champ-ion, Jakarta: Yayasan

Obor In- donesia.

Mahendra Wijaya, 2001, Prospek

Industrialisasi Pedesaan,

Su-rakarta : Yayasan Cakra.

Soerjono Soekanto, 1990, Sosio

logi, Suatu Pengantar, Jakar

ta :Raja Grafinda Persada.

Sumadi, 1991, “Identifikasi Teknik

kriya Produksi Tumang, Bo

yolali, Surakarta: STSI Sura

karta.

Sumardjo, Jakob, 2000, Filsafat

Seni, Bandung: ITB Pres.

Suparno, Slamet. T, 2008, “Seni

Sebagai Produk Masyara

kat ataukah Masyarakat Se

bagai Produk Seniâ€, Makalah

Pidato Pengukuhan Jabatan

Guru Besar dalam Bidang

Ilmu Sosiologi Seni, Rapat

Senat Terbuka ISI Surakarta.

Wolf Janiet, Second 1993, The

Sosial Production of Art,

Washington Square,New

York, University Press.

Daftar Nara Sumber:

Parno Suwito (75 th), Soetanto (68

th), Supriharyanto (67 th), Suharto

(69 th) , Susanto (35 th), Supriyadi

(55 th) dan para perajin logam di

Tumang, Cepogo, Boyolali.

Downloads

Published

2018-10-04

Issue

Section

Articles