ACTANTIAL MODEL IN THE NELYUBOV MOVIE
Abstract
Through the characters of Zhenya and Boris, the film Nelyubov (2017) explores the issue of a toxic marriage. The story's theme reflects the complexities of the characters' relationships and the resulting problems. This theme adds intrigue to the film's problem articulation, particularly how the film's conflict can be constructed. Accordingly, this study seeks to identify the actant schemes created in the Nelyubov film. This study examines the location of individuals in the film using Algirdas Julien Greimas' Actantial Model theory. Further, this article employs Mills' Discourse Analysis and Smith's Interpretative Phenomenological Analysis (IPA). The results indicate representations for the subject, object, helper, opposer, sender, and receiver in the Nelyubov film, allowing for the fulfillment of the three kinds of axis: the axis of desire, the axis of power, and the axis of transmission/knowledge. The film's subject is Zhenya, and the object is the happiness he seeks.
Keywords
Full Text:
PDFReferences
Buku:
Greimas, A. J. (1983). Structural Semantics: An Attempt at a Method. US: University of Nebraska Press.
Greimas, A. J. (1990). Narrative Semiotics and Cognitive Discourses. US: University of Minnesota.
Hébert, L. (2011). Tools for Text and Image Analysis: An Introduction to Applied Semiotics. Rimouski: University of Quebec.
Mills, Sara. (1997). Discourse. London and New York: Routledge.
Nietzsche, F. (1989). On The Genealogy of Morals. New York: Vintage Books.
Rumaisha, D. (2017). Gender Role Reversal and Negative Representation of Male Characters in Sleeping Beauty (1959) and Maleficent (2014). Depok: Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia.
Rosa, Dien Vidia, 2017. “Mempertemukan Hiper-Realitas dan Refractions of Duree: Pembacaan Multi-Naratif Visual dalam Film Simone dan Film Inception”. CAPTURE: Jurnal Seni Media Rekam, Vol.8 No.2 p.23-34.
Sharita, Y. (2016). The Actantial Analysis and Discussion on Gender Ideology in The Book of Life (2014). Depok: Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia.
Onodera, S. (2010). Greimas’ Actantial Model and the Cinderella Story: The Simplest Way for the Structural Analysis of Narratives. Japan: Hirosaki University.
Saraswati, A. (2005). Analisis Penokohan The Cat in The Hat dan The Cat in The Hat Comes Back Karya Dr. Seuss: Kajian Struktural Greimas dan Psikoanalisis Freud. Depok: Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia.
Peisa, J. (2008). The Unable Individual: The Actantial Analyses of Three Chinese Films and Discussion on Their Representations of the Individuals’ Position in Contemporary Chinese Society. Master’s Thesis. https://helda.helsinki.fi/bitstream/handle/10138/19218/theunabl.pdf?sequence=2 diakses pada 22 Januari 2020, 18:20.
Pilipoveca, T. (2017). Interpreting ‘The Snow Queen’: A Comparison of Two Semantic Universes. Sign Systems Studies 45(1/2), 181-193.
Smith, J. A., & Osborn, M. (2015). Interpretative Phenomenological Analysis as a Useful Methodology for Research on the Lived Experience of Pain. British Journal of Pain, 9(1), 41–42. doi:10.1177/2049463714541642.
Ventura, L. S. L., & Martins, F. (2014). Greimas's Actantial Model as an Interpretation Method in the Psychodynamic and Phenomenological Clinic. Folia Medica, 56, 52-53.
Diskografi:
Alexander Rodnyansky (Producer). (2017). Loveless. [Videotape]. Moscow: Non-Stop Production.
Zvyagintsev, Andrei & Oleg Negin. (2017). Loveless - Screenplay. Moscow: Non-Stop Production.
DOI: https://doi.org/10.33153/capture.v12i2.3252
Refbacks
- There are currently no refbacks.
Copyright (c) 2021 Jasmine Disca Haryadi
CAPTURE : Jurnal Seni Media Rekam by Jurusan Seni Media Rekam, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia (ISI) Surakarta is licensed under a Creative Commons Attribution-ShareAlike 4.0
Capture has been Indexed by :
2338-428X (e-ISSN) 2086-308X (p-ISSN)
