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• Afro-Asian Film Festival III: Women’s Knowledge and Imagination in Film Sovereignity

  Bunga Pratiwi Siagian, Lilawati Kurnia

  292-312

  2023-12-30

• FILM FICTION “TUAN X”: GESTUR APPROACH AS A PSYCHOLOGY MARK OF A MAIN FIGURE

  Ayu Mella Angelina, Zainal Abidin, FX. Yatno Karyadi

  14-26

  2018-12-21

• BIG ENTERTAINMENT’S FILM AND MUSIC CREATION DESIGN: PLATFORM-BASED BUSINESS MODEL CANVAS AND ENTERPRISE ARCHITECTURE

  Isra Ruddin, Handri Santoso, Richardus Eko Indrajit, Erick Dazki

  2021-12-25

• STYLOMETRY: STATISTICAL APPROACH INTO FILM STYLE

  Muhammad Yunus Patawari

  71-90

  2019-07-01

• THE PORTRAYAL OF THE FEMALE PROTAGONIST IN DARREN ARONOFSKY’S BLACK SWAN USING FREUD’S PSYCHOANALYTIC THEORY OF PERSONALITY AND DEFENSE MECHANISMS

  Anisa Efani Yulandara Nastiti, Anton Sutandio

  92-106

  2023-07-04

• SEXY KILLERS : FILM AND ENVIRONMENTAL MOVEMENT

  Fitri Murfianti

  48-62

  2020-12-01

• REALISM STILISTICS OF GENRE HORROR INDONESIAN MOVIES POST-REFORM: CASE STUDY OF FILM “KERAMAT”

  Fajar Aji

  101-120

  2019-01-24

• COMPOSITION IN LA LA LAND

  Felia Arlitha Agnia, Maya Purnama Sari

  43-50

  2022-01-12

• CHARACTER EDUCATION AND MORAL VALUE IN 2D ANIMATION FILM ENTITLED "PENDETA BANGAU"

  I Gede Adi Sudi Anggara, Hendra Santosa, A.A. Gde Bagus Udayana

  57-70

  2019-05-29

• LOCAL FILM FESTIVAL CHARACTERISTICS: A CASE STUDY OF THE MERDEKA FILM FESTIVAL

  Edelin Wangsa, Natalia Depita

  107-122

  2023-07-04

• PRODUCTION OF DOCUMENTARY FILM DRIVING AWARENESS

  Kosalalita Anggiyumna Ranangsari, Qiu Fuquan

  204-216

  2020-07-17

• Artificial Intelligence (AI) in Film Script Writing

  Wahyu Nova Riski, Zainal Abidin

  1-15

  2024-07-31

• APROPRIATION OF METAFORA IN FILM ADVERTISING “MANDIRI SECURITAS”

  Handriyotopo Handriyotopo, GR Lono Lastoro, SP Gustami

  27-39

  2019-01-03

• DIGITAL PLATFORM AS ALTERNATIVE MEDIA FOR WATCHING FILM AT JOGJA-NETPAC ASIAN FILM FESTIVAL (JAFF) 2020

  Ganesha Perdana

  32-42

  2022-01-06

• ANALYSIS OF DOCUDRAMA HISTORY AND REFERENTIAL RECONSTRUCTION OF SANG KIAI MOVIES: ADAPTATION OF BIOGRAPHICAL HISTORIOGRAPHIC TEXTS TO BIOPIC FILM

  Bambang Aris Kartika, Nanik S. Prihatini, Sri Hastanto, D., Dharsono

  20-44

  2019-04-23

• YOUTUBE AS AN ALTERNATIVE MEDIUM FOR APPRECIATING INDEPENDENT SHORT FILMS

  Zafira Saraswati Yasmin Sekarnegara, Handriyotopo Handriyotopo

  17-29

  2022-12-01

• PRODUCT PLACEMENT IN THE FILM ADA APA DENGAN CINTA

  Amelia Putri Santika, Ana Rosmiati

  123-136

  2020-07-01

• Digital Conflict Experimentation: Strategies for Film/Video Art-Making Practise in Educational Fields

  Erik Muhammad Pauhrizi, Erika Ernawan, Dedi Warsana, Danendra Alfathadiningrat

  32-53

  2024-07-31

• STUDY OF FORMER STREET KID RECEPTION TO MOVIE “ALANGKAH LUCUNYA NEGERI INI”

  Jaka Farih Agustian, Budi Irawanto

  27-46

  2018-07-27

• PETITION AS INDONESIAN FILM’S ROBBER: Theodor Adorno’s Perspective on Majority-Leaning Group’s Criticisms

  Sri Nugroho Nugroho

  1-16

  2021-12-13

• MULTICULTURALISM IN ETHNIC IN CHILDREN'S POPULAR FILM IN INDONESIA POST 2010

  Romdhi Fatkhur Rozi

  45-56

  2019-05-09

• “LONTAR PRASI” : THE PRESERVATION OF TENGANAN PAGRINGSINGAN TRADITIONAL VILLAGE

  I Nyoman Agus Suarya Putra, I Made Marthana Yusa, Ayu Gede Willdahlia, Mohammad Ryan Adiftia

  41-48

  2022-12-01

• PARTISIPATORY DIRECTING IN THE FILM NOISE IN SILENCE

  Reskyana Syam, Titus Soepono Adji, Abas Fauzi

  163-174

  2020-07-01

• The Use of Films as an Educational Medium in Learning Civic Education as a Preventive Effort Against Moral Decradation in The Age Of 4.0

  Esty Rahmayanti

  257-278

  2023-12-30

• FILM AS CULTURAL DIPLOMATION ASSETS

  Hari Suryanto, Mariani Amri

  47-55

  2018-09-03