Perspektif Dalam Seni Lukis Tradisi Indonesia
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Abstract
Traditional painting Indonesia like wayang beber and of a kind representÂ
one of form "genius local" a success expand according to requirement a period ofÂ
the Cultural product tidy efficient considerabfy practical and with elements which, isÂ
easy to be arrested and permeated to later, then digested by space think its propÂ
socie(y of that moment.
Visual form of traditional painting of The Indonesia it careful there is anÂ
problems hit is "in perpective" because in laying open form an obyek do not seenÂ
realisitis as perception of human being to real obyek-obyek. To remove "picture"Â
natural and above its contents an media as area draw realisticallY and have "Â
dimension to three" needed by knowledge hit is in perpective.
Do not there are in perpective element at traditional painting ~l rasseÂ
Indonesia by elementary matter about  way of perceiving an obyek which thry see isÂ
everydqy. Way of idioplasitik approach so central form the condition of think conceptÂ
in creating a painting, so that thry are in paint crystal clear take no account of inÂ
perpective element which is often used in visioplastis think framework
Keyword: Art Paint Tradition, Perspektif
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