Tinjauan Kreativitas Agus Tasman Ranaatmadja Dalam Tari Bedhaya Si Kaduk Manis

Authors

  • Maharani Luthvinda Dewi PUI PT Choreographic and Artistic Research, Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/jcare.v1i1.3959

Keywords:

Creativity, Agus Tasman, Ranaatmadja, Bedhaya Si Kaduk, Manis Dance

Abstract

This paper aims to determine the creativity of Agus Tasman Ranaatmadja, a dance master, in formulating a dance work by analyzing his artistic creations textually. The study was conducted qualitatively by borrowing Sumandiyo Hadi's idea on textual analysis of dance. The results of the study show that the dance "Bedhaya Si Kaduk Manis" has an asymmetrical gawang development and a dancer's level pattern play. “Tari Bedhaya Si Kaduk Manis” is constructed using the creator's version of the work method and is presented with a single cone serving plot. The final entity "Bedhaya Si Kaduk Manis Dance" has a significant difference from the bedhaya dance in general, but still has the taste and principle of bedhaya dance.

References

Darmajanti, Irma. 2006. Psikologi Seni. Bandung: Kiblat.

Hadi, Sumandiyo. 2007. Kajian Tari Teks Dan Konteks. Yogyakarta: Pustaka Book Publisher.

Supriyanto, Eko. 2018. “Kabar Duka Maestro Tari Agus Tasman Ranaatmadja Tutup Usia.” Solopos.Com, 2018. https://www.solopos.com/kabar-duka-maestro-tari-agus-tasman-rana-atmadja-tutup-usia-945553.

Tasman, Agus. 1993. Tari Dan Berbagai Pandangan. Surakarta: Not published.

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Published

2021-11-08

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Section

Articles