A HINGGA K TAHAP DASAR MENGARANSEMEN NYANYIAN UNTUK PADUAN SUARA | Purnomo | Lakon Jurnal Pengkajian & Penciptaan Wayang

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Keywords Art, Prophetic Art, Islamic Art Banjaran, Anoman, sanggit and Garap. Dasanama, classification in catur, and wayang kulit performance of Surakarta style. Karna Gugur, Pandavas, moral, structural Kertagama, Department of Puppetry, Puppet Show, Audience Konsep Garap Pakeliran, Wayang Tunggal, Lakon Sudamala, Purbo Asmoro, Covid19. Monologue, Manuscript Analysis, Characterization, Introvert. Muksa, Pamuksa, Moral Parashurama, loyalty, dharma, pakeliran padat. Performing Arts, Strategy, City Imaging. Raksesi , Bathari Durga, and Bhairawi Shiva. Shadow play, Puppet, Pancasila, Wahyu Makutharama, Hastha Brata. Wayang performance, Wahyu Makutharama, Ki Suyati. contextualization, recontextualization, decontextualization, wayang kulit show, audience. eschatology, death, Pandu, Pandavas. intrinsic elements, Mahabharata, The Mahabharata. puppet show, Tripama Kawedhar, aesthetic elements, Cahyo Kuntadi regu, jejer sepisan, Lakon Seno Dadi Ratu. sasmita gendhing, text-context, pakeliran struktur dramatik, lakon, Baratayuda, Joko Santosa. wayang beber, joko kembang kuning, contemporary approach.

About The Author

Wahyu Purnomo
Jurusan Etnomusikologi Fakultas Seni Pertunjukan ISI Surakarta
Indonesia

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Copyright (c) 2019 Lakon Jurnal Pengkajian & Penciptaan Wayang

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ISSN 1829-5835 (print)

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