PERANCANGAN TAS CARRIER DENGAN AKSENTUASI MOTIF TENUN SUMBA UNTUK BACKPACKER
DOI:
https://doi.org/10.33153/ornamen.v18i2.3706Keywords:
carrier bag, daypack, backpacker, Sumba weavingAbstract
ABSTRAK
Perancangan tas carrier dan daypack dengan menggunakan motif tenun Sumba sebagai aksentuasi ini merupakan gagasan yang dapat mengakomodasi segala kebutuhan para pelaku backpacker dalam melakukan perjalanan dan juga dengan menerapkan karya motif sumba Nusa Tenggara Timur (NTT) sebagai aksen sentuhan estetsis pada produk backpack. Metode yang digunakan dalam perncangan ini yaitu metode perancangan, konsep perencanaan, dan visualisasi desain. Hasil perancangan yang dihasilkan yaitu menghasilkan tas carrier dan tas daypack yang cocok untuk pelaku backpacker dalam melakukan perjalanan dengan pengaplikasian motif tenun Sumba dengan mengkomposisikan warna, rasa, serta visual sehingga menghasilkan tas backpack yang memberikan kenyamanan dan kemudahan bagi para pelaku backpacker di lapangan dan tidak mengesampingkan unsur keindahan, estetis maupun trend fashion dari tas itu sendiri.
Kata kunci : tas carrier, daypack, backpacker, tenun Sumba
ABSTRACT
The design of carrier bags and daypacks using the Sumba woven motif as an accentuation is an idea that can accommodate all the needs of backpackers in traveling and also by applying the work of the East Nusa Tenggara (NTT) Sumba motif as an esthetic touch accent on products backpack. The methods used in this design are design methods, planning concepts, and design visualization. The resulting design results are to producebags carrier andbags daypack that are suitable for backpackers in traveling with the application of Sumba weaving motifs by composing colors, tastes, and visuals so as to produce a backpack that provides comfort and convenience for backpackers in the field and does not rule out. elements of beauty, aesthetics and fashion trends from the bag itself.
Key words : carrier bag, daypack, backpacker, Sumba weaving
Downloads
References
Adkins & Grant, Eryn. 2007. Backpackers as a Community of Strangers : The Interaction Order of an Online Backpacker Notice Board. Qualitative Sociology Review, vol III Issue 2. Retrieved September, 2014.
Fadlilah, Triyadi. 2009. Hubungan Faktor – factor Motivasi Pendorong dan Faktor – faktor Motivasi Penarik untuk Melakukan Wisata Backpacking. Skripsi. Depok : UI
George Torkildsen. 1992. Leisure and Recreation Management, 3rd Edition. London : E e FN Spon
Ginting, Rosnani. 2010. Perancangan Produk. Yogyakarta: Graha Ilmu.
Gustiayu, Harajeng. 2012. Backpacking 101 (Catatan Praktis Untuk Backpacker Pemula). Jakarta: PT Elex Media Komputindo.
Hadinoto, Kusudianto. 1996.Perencanaan Pengembangan Destinasi Pariwisata.Jakarta : UI Press
Maritha, Devi Putri. 2010. Profil Pola Pengeluaran Wisatawan Asing Ala “Backpacker” di Yogyakarta. Skripsi. Surakarta : UNS
Ndima, P.P. 2007. Kajian Budaya Kain Tenun Ikat Sumba Timur. Nuansa Sukses. Salatiga.
Masri. Andry. 2010. Strategi Visual. Yogyakarta: Jalansutra.
Katalog Sekar kawung. 2017. Karya Adiluhung Pendukung Ekonomi Lestari. Menguak spiritualitas dan simbolisme di balik seni tenun ikat pewarna alam sumba timur. Jakarta
Hina Kapita, Oemboe. 1976. Masyarakat Sumba dan Adat Istiadatnya. Waingapu. Sumba Timur dalam Perspektif Pengaruh Eksternal, makalah, Jakarta : Bentara Budaya.
Soelarto, B. 1979. Proyek Pengembangan Media Kebudayaan DITJEN
Kebudayaan Departemen P & K Republik Indonesia. Jakarta.
Soeriadiredja, Purwadi. 1983. Simbolisme dalam Disain Kain di Watu Puda, Sumba Timur,Bandung : Jurusan Antropologi, FS - UNPAD.
Downloads
Published
Issue
Section
License
Copyright Notice
Authors who publish with Ornamen agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
