Pengembangan Motif Batik Papua Barat Dengan Sumber Ide Burung Kasuari
DOI:
https://doi.org/10.33153/ornamen.v19i2.4345Keywords:
Batik, Papuan Batik, CassowaryAbstract
The purposes of this creative process is to add a new variation of Papuan Batik which focusing on Cassowary bird as the point of interest in the pattern so that the immigrant people can get to know more about the unique fauna of Papua, Cassowary. The method used in this design process is the Colin Clipson design method, quoted by Prof. Dr. Nanang Rizali, MSD in his book which covers problem identification, design analysis, ctreative process, and in this designing process, the study of production also conducted to give conclusion on how to improve West Papuan Batik pattern using the idea of Cassowary bird. Based on the results of survey and data analysis, 8 design was created using repeated technique. Those designs include the exploration of Cassowary as the main pattern, areca nut leaves as the supporting pattern and Asmat wood craving which give distinct contrast between Papuan Batik and Javanese Batik. The design will be realized in the form of cloth measuring 200cm x 100cm.Downloads
References
Shannaz, J., Paul Jepson, dan Rudyanto. 1995. Burung-Burung Terancam Punah di Indonesia. Bogor: PHPA Bird life International Indonesia Programme.
Setio,Pujo. 1997. Teknik Penangkaran Burung Kasuari (Casuarius SP). Jakarta: Badan Penelitian dan Pengembangan, Jakarta.
Doellah, H. Santoso. 2002. Batik:Pengaruh Zaman dan Lingkungan. Solo: Danar Hadi.
Darmawan, Andrie Rizky. 2019. Diseminasi Batik Papua Melalui Video Dokumenter (Studi Kasus Pada Sentra Batik Phokouw Faa). Jurnal Diseminasi Batik Papua. 8(1)
Arifien, K. Koko. (2011). Peluang Bisnis Anyaman. Bandung: Yrama Widya.
Petocz, R.G. 1994. Mamalia Darat Irian Jaya. Jakarta: PT. Gramedia Pustaka Utama.
Indahwati, Kristin. 2020. Keanekaragaman Hayati: Persebaran Flora dan Fauna di Dunia dan Di Indonesia. Malang: Universitas Negri Malang.
Rahwarin, Yohanes Y., M. St. E. Kilmaskossu, Y. Kerepea, Wolfram Y. Mofu, Rusdi Angrianto, Hans. F. Z. Peday, Anton S. Sinery, dan Petrus A. Dimara. 2014. Perburuan Kasuari (Casuarius Sp.) Secara Tradisional Oleh Masyarakat Suku Nduga Di Distrik Sawaerma Kabupaten Asmat. Jurnal Manusia Dan Lingkungan. 21(1).
Kossay, M. 2014. Pemilu Sistem Noken Dalam Demokrasi Indonesia. E-Journal Uayj. (Online), (http://e-journal.uajy.ac.id/7278/1/jurnal.pdf), diakses 15 Mei 2021
Yoga, W.B.S., Eskak, E. (2015). Ukiran Bali dalam Kreasi Gitar Elektrik. Dinamika Kerajinan dan Batik. 31(1).
Rumansara, Enos H., Enrico Y. Kondologit, Don Rodrigo Flassy, J. Budi Wianto, Sarini. 2014. Inventarisasi & Verivikasi Karya Budaya Seni Ukir Asmat. Yogyakarta: Kepel Press.
Eskak, Edi. 2016. bambu ater (gigantochloa atter) sebagai bahan subtitusi kayu pada ukiran asmat. Jurnal Dinamika Kerajinan & Batik. 33(1)
Rizali, Nanang. 2012. Metode Perancangan Tekstil. Surakarta: UNS Press.
Kusmayadi, K. Taruna, Nuniek Mawardi. 2020. Fashion Trend 2021/2022: The New Beginning. Jakarta: ITF Indonesia Trend Forecasting
Jumanta. 2020. Buku Pintar Hewan. PT Elex Media Komputindo
Downloads
Published
Issue
Section
License
Copyright Notice
Authors who publish with Ornamen agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.