Proceeding IICACS


No 2 (2017)

Table of Contents

Articles

LAKHON PHANTHANG: IN BETWEEN TRADITIONAL THEATRE AND EDUCATIONAL SYSTEM IN THAILAND
Phakamas Jirajarupat
Views of Abstract: 139 | PDF: 57
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AESTHETICS OF MUSICAL EMBODIMENT ON THE CONCEPT OF MUSIC AS PRESENCE (USING PHILIPPINE MUSIC EXAMPLES)
José S. Buenconsejo
Views of Abstract: 149 | PDF: 111
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REPRESENTATIONS OF BORDERLAND IN MALAYSIAN AND INDONESIAN CINEMAS
Mohd Erman Maharam
Views of Abstract: 129 | PDF: 45
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MALAYSIAN ANIMATED TV SERIES UPIN & IPIN THROUGH PIAGET’S COGNITIVE DEVELOPMENT
Nor ’ Anira Haris
Views of Abstract: 72 | PDF: 56
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BUNDENGAN: SOCIAL MEDIA AS A SPACE FOR COLLABORATION IN THE CONSERVATION AND REVIVAL OF AN ENDANGERED MUSICAL INSTRUMENT
Rosie H Cook, Luqmanul Chakim, Sa’id Abdulloh, Nicole Tse1, Margaret Kartomi
Views of Abstract: 103 | PDF: 18
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COMMERCIAL MUSIC (POP CULTURE) STYLES AS THE MAIN MUSICAL SOURCE OF PRESERVATION OF ENDANGERED LANGUAGES IN A GLOBAL CONTEXT
Leon Gilberto Medellin Lopez
Views of Abstract: 92 | PDF: 27
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THE INFLUENCE OF MARXISM THOUGHT THAT ARE CONTAINED IN “LES JUSTES†DRAMA SCRIPT BY ALBERT CAMUS
Hadiansyah Yanuar Rizqi Aktsar
Views of Abstract: 68 | PDF: 100
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THE PENDHOK STYLE OFSURAKARTA KRIS A CASE STUDY OF DHONI KUSTANTO AS PENDHOKARTIST OF 90S MRANGGI GENERATIONS
G., Guntur
Views of Abstract: 74 | PDF: 19
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THE MUSICAL ACOUSTICS OF BUNDENGAN
Gea O.F. Parikesit, Indraswari Kusumaningtyas
Views of Abstract: 126 | PDF: 30
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ARTS OF PENCAK SILAT STYLE FOR EDUCATION SPIRITUAL AND PHYSICAL
Suryo Ediyono
Views of Abstract: 94 | PDF: 79
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CREATIVE CONTEMPORARY PAINTING BASED ON THE ICONOGRAPHY OF YEH PULU RELIEF
I Wayan Adnyana
Views of Abstract: 93 | PDF: 28
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THE FOOTSTEPS OF RESISTANCE IDEOLOGY IN MANGKUNEGARAN DANCE-STYLE
Widodo Aribowo, Andrik Purwasito, Titis Srimuda Pitana
Views of Abstract: 117 | PDF: 33
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PHOTO : IDENTITY AND COMMODITY ON SOCIAL MEDIA INSTAGRAM
Fitri Murfianti
Views of Abstract: 398 | PDF: 139
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THE CHANGE OF FUNCTION AND MANAGEMENT OF SITI HINGGIL KASUNANAN PALACE SURAKARTA AS A TOURISM COMMODITY
BRM. Suryo Triono, Cahyani Tunggal Sari
Views of Abstract: 66 | PDF: 42
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