Sorai: Jurnal Pengkajian dan Penciptaan Musik

Journal titleSorai: Jurnal Pengkajian dan Penciptaan Musik
InitialsSorai
AbbreviationJ. Peng. Pen. Musik.
Frequency2 issues per year
DOIprefix 10.33153
ISSN2407-3938 (print) | 2684-9445 (online)
Editor-in-chief

Dr. Aton Rustandi Mulyana, S.Sn., M.Sn

Managing EditorReizki Habibullah S.Pd., M.Sn
PublisherInstitut Seni Indonesia Surakarta
Citation AnalysisGoogle Scholar

 

Sorai: Jurnal Pengkajian dan Penciptaan Musik is a scientific journal that is regularly published by the Faculty of Performing Arts, Department of Ethnomusicology, Indonesian Institute of Art (ISI) Surakarta. This journal holds the results of research on music as well as reviews of music criticism, exposure of figures, maestros or musical figures. This journal is packaged by applying scientific principles, so that the result is responsibly justified. Sorai Journal tried to fill the void of studies about music that had not yet appeared in many medias (journals, magazines and newspapers). Thus, this journal is expected to be able to offer alternative ways to understand that music is not merely a sound. Sorai journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to music creation, music studios, and ethnomusicology. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics include:

  1. Review of Nusantara Music
  2. Sociology of Music
  3. Anthropology of Music 
  4. World Music Culture
  5. Digital Music Studies
  6. Archaeology of Music
  7. Intercultural Studies of Music
  8. Ethnography of Music
  9. Music and Multicultural Education
  10. Music Criticism
  11. Musician Profile and Thought
  12. Artistic Review of the Music Creation Process

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Vol 14, No 1 (2021)

Table of Contents

Articles

(1) Aris Setyoko (Prodi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman Samarinda Kalimantan Timur, Indonesia)
(2) Bayu Arsiadhi Putra (Mahasiswa S-3 Pascasarjana Institut Seni Indonesia (ISI) Yogyakarta, Indonesia)
(3) Kresna Syuhada Rawanggalih (Mahasiswa Program Studi S-1 Etnomusikologi FIB Universitas Mulawarman Samarinda, Indonesia)
10.33153/sorai.v14i1.3594 Views of Abstract: 141 | PDF: 92
PDF
1-11
(1) Arum Kusuma Dewi (Universitas Gadjah Mada, Indonesia)
(2) Royke Bobby Koapaha (Dosen Jurusan Seni Musik, Fakultas Seni Pertunjukan, Institut Seni Indonesia, Yogyakarta, Indonesia)
(3) Gabriel Roosmargo Lono Lastoro Simatupang (Dosen Prodi Magister Pengkajian Seni Pertunjukan dan Seni Rupa Sekolah Pascasarjana Universitas Gadjah Mada, Yogyakata, Indonesia)
10.33153/sorai.v14i1.3709 Views of Abstract: 106 | PDF: 25
PDF
12-25
(1) Midhang Langgeng Sembodo (Mahasiswa Pascasarjana Institut Seni Indonesia Surakarta, Indonesia)
(2) Bambang Sunarto (Dosen Program Studi S-2 Pengkajian Musik Pascasarjana ISI Surakarta, Indonesia)
10.33153/sorai.v14i1.3815 Views of Abstract: 83 | PDF: 20
PDF
26-34
(1) Pelangi Dienna Deyane Sasmita (Indonesia Institute of The Arts Surakarta, Indonesia)
10.33153/sorai.v14i1.3777 Views of Abstract: 94 | PDF: 34
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35-46
(1) Sopandu Manurung (Mahasiswa Program Studi Magister Pengkajian Seni Pertunjukan dan Seni Rupa Sekolah Pascasarjana Universitas Gadjah Mada., Indonesia)
(2) Gabriel Roosmargo Lono Lastoro Simatupang (Dosen Program Studi Antropologi Budaya Fakultas Ilmu Budaya Universitas Gadjah Mada., Indonesia)
(3) Aton Rustandi Mulyana (Dosen Program Studi S-1 Etnomusikologi Fakultas Seni Pertunjukan ISI Surakarta, Indonesia)
10.33153/sorai.v14i1.3715 Views of Abstract: 114 | PDF: 57
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47-56
(1) Utami Ciptaningsih (Mahasiswa Pascasarjana Institut Seni Indonesia Surakarta, Indonesia)
(2) Zulkarnain Mistortoify (Dosen Program Pascasarjana dan Prodi Etnomusikologi ISI Surakarta, Indonesia)
10.33153/sorai.v14i1.3826 Views of Abstract: 91 | PDF: 41
PDF
57-70