PENINGKATAN PEDALANGAN GAYA BANYUMAS BAGI ANGGOTA PEPADI BANYUMAS

Authors

  • Bagong Pujiono Jurusan Pedalangan , Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Surakarta

DOI:

https://doi.org/10.33153/abdiseni.v9i1.2458

Abstract

PEPADI Purbalingga Regency is one of the organizations of the dalang associations in Purbalingga Regency which is still loyal to the existence of Banyumas-style Pakeliran. Most PEPADI members in Purbalingga Regency learn through self-education so that they need sufficient knowledge concerning Banyumas style of puppetry according to the aesthetic rules of puppetry in general. Therefore, these community service activities aim to improve the quality of Banyumasan puppetry. The training methods used include lectures, appreciation, and demonstrations to describe various styles of puppetry, sabet, catur and various things related to karawitan of puppetry. The results obtained show that Banyumas puppet performance is in accordance to the aesthetic rules of puppetry in general.Keywords: PEPADI, training, wayang performance, Banyumasan style 

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References

Murtiyoso, Bambang, Pengetahuan Pedalangan. Surakarta: Akademi Seni Karawitan Indonesia, 1983.

Murtiyoso, Bambang, et al, Teori Pedalangan, Bunga Rampai Elemen-elemen Dasar Pakeliran. Surakarta: Intitut Seni Indonesia Press, 2007.

Pujiono, Bagong, “Struktur Dramatik Pertunjukan Wayang Golek Kebumen, Lakon Lahire Sekethi Sajian Basuki Hendro Prayitno.†LAKON, Jurnal Pengkajian dan Penciptaan Wayang X, No. 2 (Januari 2013), 120-136.

_________, “Wayang Golek Kebumen: Kehidupan dan Pengembangan Pertunjukannya.†Wayang Nusantara, Journal of Puppetry I, No. 1 (September 2014), 57-68.

Tim SENAWANGI, Pathokan Pedhalangan Gagrag Banyumas. Jakarta: Balai Pustaka, 1983

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Published

2019-04-26

Issue

Vol. 9 No. 1 (2018)

Section

Articles

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