PEMBINAAN GENDING BOPONG GAYA KAYUMAS DENPASAR DI SANGGAR TABUH KEMBANG WARU DENPASAR

Authors

  • Ni Putu Hartini Institut Seni Indonesia Denpasar
  • I Nyoman Mariyana Institut Seni Indonesia Denpasar
  • I Gede Mawan Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.33153/abdiseni.v15i1.5506

Keywords:

pembinaan gending bopong, gaya kayumas Denpasar, Sanggar Tabuh Kembang Waru

Abstract

This community service activity aims to preserve one of the intangible heritage assets, namely Gending BopongGaya Kayumas Denpasar. Gending Bopong is one of the Petangkilan Gendings in the Balinese Wayang (shadowpuppet) show scene. Recently, there has been a phenomenon that Gending Bopong is rarely presented anymorebecause this game has a long structure, making it difficult to master it. This is why it is feared that this gending willbecome extinct, so coaching is needed regarding mastering drumming skills and practical mastery of the Boponggending material. The methods used are lecture, demonstration, and imitation. This coaching process goes throughseveral stages, namely: (1) socialization, (2) implementation stage, (3) stabilization phase, (4) evaluation stage,and (5) presentation of coaching results. As a result of this service activity, training participants at the SanggarTabuh Kembang Waru were able to enrich their knowledge and skills in drumming Gender Wayang and foster prideand love in the effort to maintain and develop the traditional artistic heritage.

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References

I. B. Wijna Bratanatyam, “Karakterisasi Tokoh Sugriwa dalam Wayang Kulit Ramayana Gaya Sukawati” (tesis),” Denpasar: Program Pascasarjana Institut Seni Indonesia Denpasar., 2013, p. 105.

I. W. & N. K. S. Suharta, Proses Pembelajaran Gamelan Gender Wayang Bagi Mahasiswa Asing Di ISI Denpasar. Denpasar: Laporan Tahunan Penelitian Fundamental Institut Seni Indonesia Denpasar., 2013.

I. N. & N. P. H. Mariyana, Gamelan Gender Wayang. Singaraja: Mahima, 2021.

N. M. H. Hartini, Ni Putu, Putu Tiodore Adi Bawa, “Pembinaan Gending Sekatian Pada Remaja Putri di Sanggar Sami Semeton, Banjar Lodsema, Desa Lodtunduh, Gianyar,” Abdi Widya, vol. 2, no. 2, pp. 72–79, 2023, [Online]. Available: https://jurnal2.isi-dps.ac.id/index.php/abdiwidya/article/view/2392.

N. P. Hartini, “Konsep Dualistis dalam Pertunjukan Gender Wayang pada Pekan Seni Remaja Kota Denpasar Tahun 2015,” JOMSTI (Journal Music Sci. Technol. Ind., vol. 4, no. 1, pp. 37–49, 2021, [Online]. Available: https://jurnal.isi-dps.ac.id/index.php/jomsti/article/view/1379.

N. P. H. Sudarta, I Gusti Putu, I Bagus Wijna Bratanatyam, “DEVELOPMENT OF GENDING GENDER WAYANG BANASPATI TENGANAN PEGRINGSINGAN KARANGASEM STYLE IN BANJAR LUMINTANG, DAUH PURI KAJA VILLAGE, DENPASAR UTARA DISTRICT, KODYA. DENPASAR,” Abdi Seni, vol. 12, no. 1, 2021, [Online]. Available: https://jurnal.isi-ska.ac.id/index.php/abdiseni/article/view/3912.

I. M. Bandem, Gamelan Bali di atas Panggung Sejarah. Denpasar: STIKOM Bali, 2013.

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Published

2024-06-29

Issue

Vol. 15 No. 1 (2024)

Section

Articles

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