PENCAK JAIPONGAN BY CHOREOGRAPHER GUGUM GUMBIRA

Authors

  • Tubagus Mulyadi Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/acy.v16i1.6026

Keywords:

Jaipongan, Gugum Gumbira’s, Penca Move, choreographer

Abstract

Jaipongan has been recognized as a creation dance in West Java. The dance genre derived from Ketuk Tilu and Pencak Silat has made Jaipongan an icon of Sundanese Dance. The purpose of this research is to explore how the development of pencak silat movements in the Jaipongan Dance created by Gugum Gumbira the creator of Jaipongan. Qualitative research methods were applied to collect data through a literature review of references relevant to the topic of study and documentation on videos of several Jaipongan works. The motion characteristics of Jaipongan were analyzed through Keser Bojong, Rendeng Bojong, Kawung Anten, and Pencug Bojong. The creation of Jaipongan was an outgrowth of Gugum Gumbira's experience as a dancer of Ketuk Tilu, Bajidoran, and Pencak Silat. Gugum's understanding and mastery of these three West Javanese folk dance genres led him to choreograph Jaipongan as a phenomenal new creation dance genre in West Java. The footwork technique is the foundation of the dance, to avoid the danger of slipping while dancing with the agile and attractive character of Jaipongan Dance. Therefore, mastery of pencak movement is important to be able to dance Jaipongan aesthetically.

Downloads

Download data is not yet available.

References

Andiana, D. (2022). Citra Perempuan Sunda dalam Tari Jaipongan Kawung Anten Karya Gugum Gumbira. Jurnal BELAINDIKA (Pembelajaran Dan Inovasi Pendidikan). https://doi.org/10.52005/belaindika.v4i1.92

Caturwati, E., & Ramlan, L. (2007). Gugum Gumbira Dari ChaCha Ke Jaipongan. Sunan Ambu Press.

Hani Rohaeni dan Edi Mulyana Jurusan Seni Tari, S., Seni Pertunjukan, F., & Bandung Jln Buah Batu No, I. (2020). Tari Kawung Anten Dalam Genre Tari Jaipongan Sebagai Sumber Garap Penyajian Tari. Jurnal Seni Makalangan.

Herdiani, E. (2017). Dynamics of Jaipongan on West Java from 1980 to 2010. In Asian Theatre Journal. https://doi.org/10.1353/atj.2017.0032

Jumantri, M. C., & Nugraheni, T. (2020a). Pengkajian Gaya Busana Tari Jaipongan Karya Sang Maestro. Gondang: Jurnal Seni Dan Budaya. https://doi.org/10.24114/gondang.v4i1.16324

Jumantri, M. C., & Nugraheni, T. (2020b). Pengkajian Gaya Busana Tari Jaipongan Karya Sang Maestro The Study of Jaipongan Dance Costume by The Maestro. Gondang: Jurnal Seni Dan Budaya.

Miza Nina Adlini, Anisya Hanifa Dinda, Sarah Yulinda, Octavia Chotimah, & Sauda Julia Merliyana. (2022). Metode Penelitian Kualitatif Studi Pustaka. Edumaspul: Jurnal Pendidikan.

Mulyadi, E., & Ramlan, L. (2012). Keser bojong: Idealisasi Pencitraan Jaipongan Karya Gugum Gumbira. Panggung. https://doi.org/10.26742/panggung.v22i1.34

Mulyadi, T. (2016). KAJIAN GERAK TARI SUNDA STUDI KASUS TARI JAIPONG. Greget. https://doi.org/10.33153/grt.v15i1.1721

Mulyadi, T. (2023). Gugum Gumbira and the History of the Creation of Jaipongan Dance. International Journal of Culture and History. https://doi.org/10.5296/ijch.v10i1.20670

Mulyana, E. (2016). KREATIVITAS GUGUM GUMBIRA DALAM PENCIPTAAN JAIPONGAN. Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni. https://doi.org/10.33153/dewaruci.v6i1.843

Nugraheni, Trianti and Taryana, T. and others. (n.d.). KONSTRUKSI LAKI LAKI SUNDA DALAM TARI PENCUG BOJONG KARYA GUGUM GUMBIRA. Ringkang: Kajian Seni Tari Dan Pendidikan Seni Tari, 1(2), 45--56.

Nuriawati, R., & Nalan, A. S. (2018). Kreativitas Gondo dalam tari jaipongan. Jurnal Ilmiah Seni Pertunjukan Tari Makalangan, 5(2), 27–39. https://doi.org/http://dx.doi.org/10.26742/mklng.v5i2.842

R.M Soedarsono. (2000). Metodologi Penelitian Seni Pertunjukan dan Seni Rupa. In Mspi.

Ramlan, L., & Jaja. (2020). Ciptaningrasa Bojongan As a Form of Visual Education Prototype. Proceeding International Conference.

Ramlan, L., & Jaja, J. (2019). Estetika Tari Réndéng Bojong Karya Gugum Gumbira. Panggung. https://doi.org/10.26742/panggung.v29i4.1048

Regina, S., Fajaria, R. D., & Hadi, S. (2020). Estetika Tari Jaipongan Kawung Anten Karya Gugum Gumbira. Jurnal Seni Makalangan.

Sari, D. N., & Ramlan, L. (2021). TARI SONTENG KARYA GUGUM GUMBIRA DI PADEPOKAN JUGALA. Jurnal Seni Makalangan.

Slamet. (2016). Melihat Tari. LPKBN Citra Sain.

Soemaryatmi, S. (2022). STUDI PUSTAKA TARI SRIMPI MUNCAR GAYA YOGYAKARTA DAN GAYA MANGKUNAGARAN SURAKARTA. Acintya : Jurnal Penelitian Seni Budaya, 13(2), 204–218. https://doi.org/10.33153/acy.v13i2.4123

Tabrani, P. (1998). Proses Kreasi, Apresiasi Belajar. ITB Press.

Utami, H. E. (2023). Proses Kreativitas dalam Penciptaan Tari Srimpi Pudyastuti. Acintya Jurnal Penelitian Seni Budaya, 15(1), 20–31. https://doi.org/10.33153/acy.v15i1.4857

Wisnu Pamenang, N., Dewi, M. L., & Samsuri, S. (2023). Karya Tari Sang Kustiah Refleksi Perempuan pada Masa Kini. Acintya Jurnal Penelitian Seni Budaya, 15(1), 43–52. https://doi.org/10.33153/acy.v15i1.4325

Downloads

Published

2024-07-30

Issue

Vol. 16 No. 1 (2024)

Section

Articles

License

Copyright (c) 2024 Tubagus Mulyadi

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights