Vol. 5 No. 2 (2024)

Articles

• THE CREATION OF PUBLICATION MEDIA FOR RELIEF-PRINT ART EXHIBITION POST-COVID 19

  Sigit Purnomo Adi, Nur Adibah Nadiah Mohd Aripin, I Gusti Ngurah Tri Marutama, Dona Prawita Arissuta

  102-111

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• CONTRIBUTION OF SOME NIGERIAN ARTISTS IN TERTIARY INSTITUTIONAL ADMINISTRATION

  Razaq Olatunde Rom Kalilu, Akinkunmi Olatunbosun Odeniyi

  112-135

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• THE AESTHETIC OF PITA MAHA PAINTING: SOURCES OF CREATION IN CONTEMPORARY ART

  A.A. Gede Bayu Paramarta Krisna Prabu

  136-145

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• BLURRING BOUNDARIES: EXPLORING CHROME TANNED LEATHER AS A SCULPTURAL MEDIUM THAT MERGER PLANT FORMS WITH MATERIAL CULTURE

  Francis Ankyiah, Ernest Okae-Anti

  146-159

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• RELIGION AND CULTURE BASED ARTS SUSTAINABILITY MODEL IN THE “AMONG” SYSTEM: EMPIRICAL STUDY IN BUTUH, THE WAYANG HAMLET

  Ita Rahmania Kusumawati

  160-176

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• THE INTERSECTION OF TIME: THE IMAGINARY MEETING AMONG RONGGOWARSITO, MANGKUNEGORO IV AND RADEN SALEH

  Subiyanto Subiyanto, Rustopo Rustopo, Dharsono Sony Kartika

  177-192

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