Pelarasan Gamelan Jawa
DOI:
https://doi.org/10.33153/dewaruci.v13i2.2508Keywords:
Pelarangan, Embat, Gamelan,Abstract
Penelitian gamelan tuning adalah merumuskan teknik penyetelan gamelan Jawa. Gamelan pelaras. Belum ada teori atau cara kerja penyetelan gamelan, harmonisator umumnya masih mengandalkan insting dan pengalaman. Hal ini mengakibatkan generasi berikutnya sulit untuk meniru generasi senior, dan ada kemungkinan ilmu laras gamelan terdistorsi karena kematian Umpu untuk menyelaraskan gamelan. Penelitian ini bertujuan untuk merumuskan teknik dan juga mencari jawaban terhadap perspektif pelaku. Fokus dari penelitian ini adalah untuk mengungkapkan masalah yang terkait dengan teknik tuning, merujuk pada musik gamelan yang ada, dan menentukan rentang, serta gamelan gamelan. Mulai dari sudut pandang ini, penelitian ini akan menggunakan metode kualitatif untuk mengumpulkan dan mengolah data dari aktor, pemilik gamelan, dan seniman sebagai pengguna. Laras gamelan Jawa.
ABSTRACT
Javanese gamelan tunings research is an attempt to formulate a Javanese gamelan tunings techniques. There are various issues that still a mystery in Pelaras gamelan. There has been no theory or the workings of gamelan tunings, pelaras generally still rely on instinct and experience. This resulted in the next generation is difficult to imitate the senior generation, and it is possible gamelan tunings science is distorted due to the death of Umpu pelaras gamelan. This study aims to formulate techniques and also seek answers gamelan tunings issues from the perspective of the perpetrator (pelaras gamelan). The focus of this study is to reveal the problems associated with the technique tunings, mbabon process (refer to the existing gamelan tones), and specify ranges, as well as embat gamelan. Starting from this point of view, the study will use a method kulalitatif to collect and process data from pelaras (actor), the owner of gamelan, and artists as a user. Through this way is expected to uncover problems Javanese gamelan tunings.
Downloads
References
Ahimsa Putra, H.S. Strukturalisme Levi-strauss: Mitos dan Karya Sastra. Yogyakarta: Galang Press Yogyakarta, 2001.
Ahimsa-Putra, H.S. “Wacana Seni Dalam Antropologi Budaya: Tekstual, Kontekstual dan Post-Modernistis” dalam Ketika Orang Jawa Nyeni. Yogyakarta: Galang Press, 1999.
Martopangrawit. Pengetahuan Karawitan. Surakarta: ASKI, 1972.
Pradjapangrawit. Serat Sujarah Utawi Riwayating Gamelan: Wedhapradangga (Serat Saking Gotek). Surakarta: STSI Press,1990.
________. Bothèkan Karawitan I. Jakarta: Masyarakat Seni Pertunjukan Indonesia, 2002.
Sri Hastanto. Ngeng dan Reng: persandingan sistem pelarasan gamelan ageng Jawa dan kebyar Bali.
Warsadiningrat. Serat Sesorah Gamelan. Surakarta, 1920.
Webtografi
https://id-id.facebook.com/notes/bram-palgunadi/nada-gamelan-jawa-yang-ajaib/477567258936194/
Narasumber:
Al. Suwardi 65 tahun, Dosen Jurusan Karawitan ISI Surakarta
Panggiyo 64 tahun, Dosen Jurusan Karawitan ISI Surakarta
Sarno 63 tahun, Pengrajin Gamelan Desa Sempukurep, Kecamatan Sidoharjo, Kabupaten wonogiri.
Suraji 55 tahun, Dosen Jurusan Karawitan ISI Surakarta
Tarno 45 tahun, Pengrajin gamelan dari Bekonang
Downloads
Published
Issue
Section
License
Authors who publish in Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni agree to the following terms:
- Authors retain copyright and grant the Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share (copy and redistribute the material in any medium or format) and adapt (remix, transform, and build upon the material) the work for any purpose, even commercially with an acknowledgment of the work's authorship and initial publication in Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
This work is licensed under a Creative Commons Attribution 4.0 International License
