Ga·ʼahʹ: Ekspresi Musikal Kisah Menara Babel dalam Kitab Kejadian
DOI:
https://doi.org/10.33153/dewaruci.v15i1.2847Keywords:
Music Analyzer, Religious Composition, The Story of the Tower of Babel, Ga·ʼahʹ, Theatrical ChoirAbstract
Kisah mengenai menara Babel merupakan salah satu kisah yang telah banyak diceritakan dalam berbagai kalangan masyarakat. Di dalam umat Kristiani, kisah menara Babel ditulis dalam kitab Kejadian 11:1-9. Peristiwa menara Babel menceritakan bagaimana umat manusia mencari tempat di mana mereka bisa hidup bersama selamanya dan tidak tercerai berai lagi. Selain itu, pembangunan menara Babel juga bertujuan untuk memberikan tempat yang aman bagi segala musibah yang akan datang. Tetapi di atas semuanya itu, tujuan akhir manusia dan yang pada akhirya mendatangkan dosa dan murka Allah bagi manusia itu sendiri ialah keinginan manusia yang hendak menyamai dan mendatangi tempat Allah yang mereka yakini berada di langit. Kisah menara Babel menjadi obyek dalam penyusunan karya ga·ʼahʹ ini. Kata ga·ʼahʹ sendiri diambil dari bahasa Ibrani yang berarti ‘menjadi lebih tinggi’. Bentuk karya musik ga·ʼahʹ disusun dengan menggunakan media paduan suara teatrikal yang digabungkan dengan ansambel musik. Bentuk paduan suara teatrikal digunakan untuk memberikan ruang terhadap kemungkinan adanya eksplorasi dalam beberapa hal yang dapat mendukung terwujudnya suasana maupun simbolisasi yang ingin dibangun. Sedangkan bentuk instrumen ansambel digunakan sebagai media musik yang menguatkan suasana yang dibangun dari paduan suara teatrikal. Selain paduan suara teatrikal maupun ansambel musik, karya ga·ʼahʹ ini juga melibatkan beberapa hal untuk mendukung terwujudnya karya ini. Penyesuaian kostum, penataan panggung, penggunaan sound maupun lighting menjadi beberapa hal yang digunakan untuk membangun suasana yang diinginkan. Ga· ʼahʹ: Musical Expressions of the Tower of Babel in Genesis Abstract: The story of the tower of Babel is one that has been told in various circles of society. In Christians, the development of the tower of Babel is written in the book of Genesis 11: 1-9. The Tower of Babel incident tells how humankind looks for a place where they can live together forever and not be separated anymore. Besides, the construction of the Tower of Babel also aims to provide a safe place for all future calamities. But above all that, the ultimate goal of a man and what ultimately brings sin and God's wrath to the man himself is the desire of humans to emulate and come to the place of God which they believe to be in the sky. The story of the tower of Babel is the object of the preparation of this ga·ʼahʹ work. The word ga·ʼahʹ itself is taken from the Hebrew which means 'to become higher'. The form of ga·ʼahʹ musical works is composed using a theatrical choir combined with a musical ensemble. The theatrical choir form is used to provide space for the possibility of exploration in several ways that can support the realization of the atmosphere and symbolization to be built. Meanwhile, the form of the ensemble instrument is used as a musical medium that reinforces the atmosphere built from the theatrical choir. Apart from the theatrical choir and musical ensemble, this ga·ahʹ work also involves several things to support the realization of this work. Adjustment of costumes, stage arrangement, use of sound, and lighting are some of the things that are used to build the desired atmosphere.Downloads
References
Barth, Christoph. 1970. Theologia Perjanjian Lama. BPK Gunung Mulia.
Baru, PBIK, and Baru PBIK Jilid II. 2008. Lee, Witness. The New Testament Recovery Version. Jakarta: Yayasan Perpustakaan Injil, 2003. Lembaga Alkitab Indonesia. Alkitab Terjemahan Indonesia Baru. Jakarta: LAI, 2004. Susanto, Hasan Perjanjian Baru Interlinear Yunani-Indonesia Dan Konkordansi Perj.
Heath, W Stanley. 1998. “Tafsir Kitab Kejadian Pasal 1-11: Relevansinya Dengan Pemulihan Gereja Di Akhir Zaman.” Yogyakarta: Yayasan ANDI.
Juliawan, B Hari. 2004. Kutukan Menara Babel: Basis No 01-02 Tahun Ke-53 Januari-Februari 2004. Yogyakarta: Kanisius.
Kodijat-Marzoeki, Latifah. 2004. Istilah-Istilah Musik. Djambatan.
Kristianto, Jubing. 2005. Gitar Pedia: Buku Pintar Gitaris. Gramedia Pustaka Utama.
Mallangi, Oneses Cloriend. 2019. “Makalah PL Hermeneutik Kejadian 11: 1-9.”
Miller, Hugh Milton. 1991. Introduction to Music. Perennial.
Pantas, Natalia Debora. 2016. “Bersaksi Tentang Kristus Sebagai Gaya Hidup Pemuda Gereja Masa Kini.” Missio Ecclesiae 5 (2): 169–89.
Pendidikan, Kementerian. 2016. “Kamus Besar Bahasa Indonesia. Jakarta: Badan Pengembangan Dan Pembinaan Bahasa.”
Prier, Karl Edmund. 2014. Kamus Musik, Cetakan Ke-3. Pusat Musik Liturgi, Yogyakarta.
Simanungkalit, Nortier. 2013. Teknik Vokal Paduan Suara. Gramedia Pustaka Utama.
Sunarto, Bambang. 2013. Epistemologi Penciptaan Seni. Yogyakarta: IDEA Press.
Syafiq, Muhammad. 2003. Ensiklopedia Musik Klasik. Adicita.
Downloads
Published
Issue
Section
License
License and Copyright Agreement
In submitting the manuscript to the journal, the authors certify that:
- They are authorized by their co-authors to enter into these arrangements.
- The work described has not been formally published before, except in the form of an abstract or as part of a published lecture, review, thesis, or overlay journal. Please also carefully read Dewa Ruci's Posting Your Article Policy at https://jurnal.isi-ska.ac.id/index.php/dewaruci/about/editorialPolicies#peerReviewProcess
- That it is not under consideration for publication elsewhere,
- That its publication has been approved by all the author(s) and by the responsible authorities – tacitly or explicitly – of the institutes where the work has been carried out.
- They secure the right to reproduce any material that has already been published or copyrighted elsewhere.
- They agree to the following license and copyright agreement.
Copyright
Authors who publish with Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
Licensing for Data Publication
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni use a variety of waivers and licenses, that are specifically designed for and appropriate for the treatment of data:
Open Data Commons Attribution License, http://www.opendatacommons.org/licenses/by/1.0/ (default)
Creative Commons CC-Zero Waiver, http://creativecommons.org/publicdomain/zero/1.0/
Open Data Commons Public Domain Dedication and Licence, http://www.opendatacommons.org/licenses/pddl/1-0/
Other data publishing licenses may be allowed as exceptions (subject to approval by the editor on a case-by-case basis) and should be justified with a written statement from the author, which will be published with the article.
Open Data and Software Publishing and Sharing
The journal strives to maximize the replicability of the research published in it. Authors are thus required to share all data, code or protocols underlying the research reported in their articles. Exceptions are permitted but have to be justified in a written public statement accompanying the article.
Datasets and software should be deposited and permanently archived inappropriate, trusted, general, or domain-specific repositories (please consult http://service.re3data.org and/or software repositories such as GitHub, GitLab, Bioinformatics.org, or equivalent). The associated persistent identifiers (e.g. DOI, or others) of the dataset(s) must be included in the data or software resources section of the article. Reference(s) to datasets and software should also be included in the reference list of the article with DOIs (where available). Where no domain-specific data repository exists, authors should deposit their datasets in a general repository such as ZENODO, Dryad, Dataverse, or others.
Small data may also be published as data files or packages supplementary to a research article, however, the authors should prefer in all cases a deposition in data repositories.