Visual narrative of ethnic identity: preserving Chinese culture through traditional hand-drawn batik Lasem

Authors

  • Dwi Asih Haryanti Faculty of Economic, Universitas Gunadarma, Depok
  • Tri Wahyu Retno Ningsih Faculty of Letters and Cultures, Universitas Gunadarma, Depok
  • Ayesa Ayesa Faculty of Letters and Cultures, Universitas Gunadarma, Depok
  • Debyo Saptono Faculty of Electrical Engineering Universitas Gunadarma, Depok

DOI:

https://doi.org/10.33153/dewaruci.v20i1.6483

Keywords:

Visual narrative, Ethnic identity, Lasem hand-drawn batik, Chinese-Indonesian culture

Abstract

Lasem, a coastal town in Central Java, Indonesia, is well known for its unique batik that blends cultural influences from both Chinese and Javanese. The study explores how traditional hand-drawn batik Lasem functions as a visual narrative representing Chinese ethnic identity and helps preserve culture in Indonesia’s diverse society. Through qualitative research, data were collected through purposive sampling of key informants, namely artisans and batik entrepreneurs at the ‘Kidang Mas’ batik center in Lasem. Data collection techniques include in-depth observation, semi-structured interviews, and visual documentation of the batik-making process. The researchers used thematic analysis to examine repeated patterns, cultural symbols, and meaning in the batik-making process. The findings exhibit cultural preservation in practices such as using canting tools, applying nature-based designs, and incorporating symbols from Chinese mythology. These motifs are decorative and tell stories regarding belief, values, and cultural identity. This study adds to discussions on intangible cultural heritage by showing that traditional batik is more than simply ‘an art’ but a living expression of Chinese-Indonesian identity. The combination of symbolic and local elements reflects cultural strength and adaptation, highlighting hand-drawn batik Lasem’s role in keeping minority identities in Indonesia visible in Indonesia’s multicultural society.

Downloads

Download data is not yet available.

References

[1] Siska, Nara (2018). Dari Opium Hingga Batik: Lasem dalam Kuasa Tionghoa abad XIX-XX. Jurnal Patrawidya. Seri Penerbitan Penelitian Sejarah dan Budaya.

[2] Jaeni, M. (2024). Laseman Hand-Drawn Batik Patterns and Socio-Religious Life Patterns of The Lsem Community. Jurnal El Harakah.

[3] Utomo, A. A. P., Joebagio, H., & Djono, D. (2018). The Batik Latoh as the Result of Maritime Culture of Lasem Community. International Journal of Multicultural and Multireligious Understanding, 5(3), 19–27. DOI: 10.18415/ijmmu.v5i3.136.

[4] Rahayu, MD. (2014). Perkembangan Motif Batik Lasem Tiongkok Peranakan Tahun 1900-1960-an. Jurnal Pendidikan Sejarah Volume 2 Nomor 2 Juni 2014. Jurusan Pendidikan Sejarah, Fakultas Ilmu Sosial Universitas Negeri Surabaya.

[5] William, K. et al. (2010). Ekplorasi Sejarah Batik Lasem. Jakarta: Penerbit IPI.

[6] Juliana, Roddasih Ekaputri. (2013). Fungsi Dan Makna Museum Benteng Heritage Dalam Pelestarian Budaya Cina Di Kota Tangerang. Skripsi. Universitas Sumatera Utara.

[8] Sutanto, E. 2017. Buku Profil Desa Labuhan Ratu VII. Labuhan Ratu VII, Lampung Timur.

[9] Suliyati, T. (2009). Melacak Jejak Budaya Tiongkok Di Lasem. Dalam Seminar Nasional, Menyusur Sungai Meretas Sejarah Tiongkok di Lasem, tanggal 5 Desember 2009.

[10] Hall, Stuart. (2003). The work of representation. Representation: Cultural Representations and Signifying Practices (Culture, Media and Identities series). Ed Stuart Hall Sage publication.

[11] Suparwati, Ni Komang Trisna. (2013). Representasi Identitas Tionghoa Melalui Kuliner Di Kelurahan Kampung Bugis, Singaraja, Bali Sebagai Sumber Materi Ajar Sejarah Sma Kelas Xii Jurusan Bahasa. Artikel. Universitas Pendidikan Ganesha

[12] Winarni. R. (2009). Tiongkok Pesisir: Jaringan Bisnis Orang-orang Tiongkok di Pesisir Utara Jawa Timur sekitar Abad XVIII. Denpasar: Pustaka Larasan. Grounded Theory, Procedures and Tehniques. Newbury Park: Sage Publication.

[13] Hartley, Jhon. 2010. Communication Cultural and media Studies: Konsep Kunci. Yogyakarta: Jalasutra

[14] Spraedley, James P. (2006). Metode Etnografi. (Terjemahan oleh: Amri Marzali). edisi kedua. Yogyakarta: Tiara Wacana.

[15] Moustakas, C. (1994). Phenomenological Research Methods. Sage.

https://doi.org/10.4135/9781412995658

[16] Bourdieu, P. (1977). Outline of a Theory of Practice. Cambridge University Press.

[17] Bhabha, H. K. (1994). The Location of Culture. London & New York: Routledge (Routledge Classics edition).

[18] Geertz, C. (1973). The Interpretation of Cultures: Selected Essays. New York: Basic Books.

[19] Arswinda, R. Q., Nurhadi, N., & Zuhri, S. (2023). Social Networks in Batik Entrepreneurs in Kampung Batik Laweyan Surakarta. Syntax Literate: Jurnal Ilmiah Indonesia, 8(7), Article 12855. DOI: 10.36418/syntax-literate.v8i7.12855)

[20] Nugroho, P., Damayanti, M., Artiningsih, A., Lestari, D., & Putri, N. R. (2022). Missing Policy for Supporting Cultural Heritage Preservation of Batik Industry Clusters in Barlingmascakeb Region , Indonesia. IOP Conference Series: Earth and Environmental Science PAPER, 1–8. https://doi.org/10.1088/1755-1315/1082/1/012017

[21] Amirudin, & Purnomo, M. H. (2018). Multiculturalism Practices Associated with the Production of Batik in Lasem - Indonesia. International Journal of Global Community, 1(2 - July), 109-124. https://doi.org/10.33473/ijgc-ri.v1i2 - July.17

[22] Yunita. S, Lukman, C. C., & Rismantojo, S. (2019). Visual Style of 21 Intellectual Property Right (IPR) Certified Lasem Batik Motifs as the Expression of Cultural Hybridity. Humaniora, 10(3), 175–184. DOI: 10.21512/humaniora.v10i3.5680

[23] Mahesti, N. D., Sugiarto, E., & Nugrahani, R. (2023). Symbolic values and meanings in Lasem batik motives. Catharsis: Journal of Literature and Language, 12(1), Article 72421. DOI:10.15294/catharsis.v12i1.72421

[24] Putra, A. Y., & Sartini. (2016). Batik Lasem as a symbol of acculturation of Chinese–Javanese cultural values. Jantra: Jurnal Sejarah dan Budaya, 11(2), 115–128. Published 14 November 2016

[25] Koentjaraningrat.1993. Metode-metode penelitian masyarakat. Jakarta: Gramedia

[26] Basiroen . V. J and Kana N. D. (2019). Cultural Expression of Javanese & Chinese Culture in Batik Lasem from 14th to 19th Century. International Journal of Scientific and Technology Research, 8 (10), 1708-1718

Published

2025-06-26

Issue

Section

Articles