BENTUK SAJIAN TARI SRIKANDHI CAKIL

Authors

  • Dwi Maryani ISI Surakarta

DOI:

https://doi.org/10.33153/glr.v8i1.1303

Abstract

Srikandhi Cakil dance has the theme of heroism using antawecana (dialogues) and tembang (Javanese songs). Javanese gamelan is used to accompany the dance and at the beginning the accompaniment is ada-ada, Srepeg, ketawang teplek, and then the second srepek, and ada-ada jugag is used before dialogues. In the dialogue, Cakil sits with the knees bent after knowing that he is facing Dewi Woro Srikandhi. To show that Cakil is surprised and gives a respect to Dewi Woro Srikandhi, this scene is accompanied by pathetan jugag. The dialogue is continued to the conversation on the king Jungkung Madiyo’s proposal which is rejected by Srikandhi. The accompaniment of ada-ada jugag is used to make the atmosphere that Cakil is angry. Key words : dance, Srikandi, Cakil

Downloads

Download data is not yet available.

Downloads

Published

2016-03-03

Issue

Vol. 8 No. 1 (2010)

Section

Articles

License

Copyright

Authors who publish with Gelar: Jurnal Seni Budaya agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.