PERKEMBANGAN MACAPAT DAN KONTRIBUSINYA DALAM KARAWITAN JAWA

Authors

  • Sugimin Sugimin ISI Surakarta

DOI:

https://doi.org/10.33153/glr.v8i2.1339

Abstract

Macapat is a Javanese poem having the following rhymes: guru wilangan (numbers of syllables in every line), guru lagu (vocal of the syllable at the last line), and guru gatra (numbers of lines in  every kind of macapat). Each macapat has a different kind of guru wilangan, guru lagu and guru gatra. These three elements differ one kind of macapat from the others. Serat and Babad in  Javanese literature are written in the form of macapat. These two works of literature are recited in a singing voice. Tembang macapat which firstly had the function of reading has developed and  taken the form of a various musical works such as ketawang, ladrang, palaran, bawa gendhing and gendhing laras madya. The development of the musical work on tembang macapat into a  variety of musical works has something to do with the artist's creativity. In addition to aesthetic demands, the development is caused by the changes of function of musical performance. This  shows that when the society's demand for the use of a work of art changes, it is time for the artist to re-interpret the existing works of art, including macapat.Key words: Javanese poems, reading, creativity, changes, function, rhymes

Downloads

Download data is not yet available.

Downloads

Published

2016-03-04

Issue

Vol. 8 No. 2 (2010)

Section

Articles

License

Copyright

Authors who publish with Gelar: Jurnal Seni Budaya agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.