Promoting Ethnocultural Traditions Through Sodoran Dance Learning

Authors

  • Trisakti Trisakti Faculty of Languages and Arts. Universitas Negeri Surabaya
  • Anik Juwariyah Faculty of Languages and Arts. Universitas Negeri Surabaya
  • Fithriyah inda abida Universitas Negeri Surabaya. Surabaya

DOI:

https://doi.org/10.33153/glr.v20i2.4375

Keywords:

Sodoran dance, Ethnocultural, Tenggerese, Dance

Abstract

This research aims to reveal the nature of ethnocultural of Tenggerese people through Sodoran dance learning. Efforts to disseminate dance to students through creation and performance activities will increase their appreciation for the arts and culture of the community. Learning dance is one of the ways to preserve and transmit ethno-cultural traditions. This enhances the interest of the younger generation in gaining a deeper understanding of their culture, as well as the preservation and development of culture. This study used a qualitative method with a pedagogic approach. Sources of research data include: (1) Resource persons or people who are directly or indirectly involved in the dance learning process; (2) The dance learning process includes dance materials, teacher abilities, student behavior, and environmental resources. Data collection techniques are carried out through literature study, observation, and interviews. The result shows that through the learning process of Sodoran dance, students are able to appreciate the message contained within the dance and experience the cultural values that are embodied in Sodoran dance. This activity escalates their awareness to the outlook and culture of Tenggerese people. 

Downloads

Download data is not yet available.

Author Biographies

Trisakti Trisakti, Faculty of Languages and Arts. Universitas Negeri Surabaya

Universitas Negeri Surabaya

Anik Juwariyah, Faculty of Languages and Arts. Universitas Negeri Surabaya

Faculty of Languages and Arts

References

Budy, Elinta, ‘The Symbolical Meaning of Macanan Dance in Barongan Blora’, Harmonia: Journal of Arts Research and Education, 17.2 (2017), 129 <https://doi.org/10.15294/harmonia.v17i2.9284>

Daryono, ‘Tari Dan Pengendalian Diri’, Greget, 9.1 (2010), 12–20 <https://jurnal.isi-ska.ac.id/index.php/greget/article/view/381/385>

Jazuli, J., Sosiologi Seni : Pengantar Dan Model Studi Seni (Yogyakarta: Graha Ilmu, 2014)

Martono, Nanang, Metode Penelitian Kuantitatif (Jakarta: PT Raya, 2011)

Mcpherson, Elizabeth, ‘How Can We Know the Dance from the Dance?: Exploring the Complexity of Staging Dance Legacy Works’, Journal of Movement Arts Literacy Archive (2013-2019), 5.1 (2019), 1

Miles, B. Mathew dan Michael Huberman, Analisis Data Kualitatif Buku Sumber Tentang Metode-Metode Baru (jakarta: uip, 1992)

Muthiah, Dara Tri, and Ika Zenita Ratnaningsih, ‘Hubungan Antara Kecerdasan Emosionaldengan Kreativitas Non Aptitude Pada Tari Universitas Negeri Semarang’, Jurnal Empati, 5.2 (2016), 257–60

Nicoloos, J, Worouw Ambor, Adrionto Dorto, Hornoko Aprilio, Amborwoti Aryo, Priyonggono Ni, and others, Inventarisasi Komunitas Adat Tengger Desa Ngadisari Kecamatan Sukapura Kabupaten Probolinggo Jawa Timur (Yogyakarta: Balai Pelestarian Nilai Budaya (BPNB), 2012) <http://repositori.kemdikbud.go.id/10600/1/inventarisasi komunitas adat tengger.pdf>

Noordiana, Noordiana, Anik Juwariyah, and Fithriyah Inda, ‘The Impact of Tayub Exploitation on The Tradition and Life of Javanese Society’, Harmonia: Journal of Arts Research and Education, 16.2 (2017), 133 <https://doi.org/10.15294/harmonia.v16i2.7514>

Prihatiningsih, Fitria, ‘Kajian Tata Rias Tradisional Seni Tari Waranggono Dalam Langen Tayub Di Kecamatan Jatirogo Kabupaten Tuban’, Angewandte Chemie International Edition, 6(11), 951–952., 08.III (2019), 114–19 <https://ejournal.unesa.ac.id/index.php/jurnal-tata-rias/article/view/31281>

Putri, Dhara Atika, and Desyandri Desyandri, ‘Seni Tari Dalam Peningkatan Rasa Percaya Diri Siswa Sekolah Dasar’, Edukatif : Jurnal Ilmu Pendidikan, 1.3 (2019), 185–90 <https://doi.org/10.31004/edukatif.v1i3.51>

Rahmah, Ulfa Sufiya, Sujinah Sujinah, and Ali Nuke Affandy, ‘Analisis Semiotika Pierce Pada Pertunjukan Tari Dhânggâ Madura’, Jurnal Sosial Humaniora, 13.2 (2020), 203 <https://doi.org/10.12962/j24433527.v13i2.7891>

Rahmawati, Rahmawati Rahmawati, Bangun Yoga Wibowo, and Dwi Junianti Lestari, ‘Menari Sebagai Media Dance Movement Therapy (DMT)’, Jurnal Pendidikan Dan Kajian Seni, 3.1 (2018), 31–46 <https://doi.org/10.30870/jpks.v3i1.4065>

Rohendi, Tjetjep, ‘Pengembangan Media Pembelajaran Pendidikan Seni Budaya Berbasis Kearifan Lokal (Wayang Sebagai Sumber Gagasan)’, Imajinasi, 7.1 (2014), 1–8

Sal Salmurgiyanto, Kritik Tari Bekal Dan Kemampuan Dasar (Jakarta: Masyarakat Seni Pertunjukan Indonesia, 2002)

Wijayanti, Okto, and Ana Andriani, ‘The Form of Character Education in Learning Dance at Sanggar Dance Students of Banyumas District’, Jurnal Studi Huru Dan Pembelajaran, 3.3 (2020), 377–82

Downloads

Published

2022-12-30

Issue

Section

Articles