World Dance Day: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts
DOI:
https://doi.org/10.33153/glr.v20i2.4564Keywords:
Conservation Local wisdom, Branding World Dance Day Activation ExistenceAbstract
The research entitled " World Dance DAay: A Cultural Conservation in Maintaining Local Wisdom of Traditional Arts" was conducted to explore the strengths in maintaining the existence of traditional arts, which began to shift with the introduction of Western culture. World Dance Day was a dance event with a duration of 24 hours. This event had been going on for several years. It had become a routine agenda at ISI Surakarta by involving the public, community, art activists, cultural observers, foreign participants, and others. World Dance Day could be used as branding in building ISI Surakarta amid competition among higher education institutions. Organized events could be media promotions both domestically and internationally. This event was held once a year in April, on the 29th. The problem in this research was how to maintain the existence of traditional arts through the activation of World Dance Day and brand World Dance Day activation as a medium for introducing art. The purpose of the research was to find ways to maintain the existence of traditional arts through the World Dance Day activation and to find ways to make World Dance Day branding activation a medium for introducing dance arts to the community. This type of research was qualitative descriptive research. The data source in this study was primarily data source in the form of World Dance Day activation. The monitoring method was carried out by identifying the types of activation included in World Dance Day. Data were obtained from the World Dance Day activation. Researchers directly observed the World Dance Day activation and saw Youtube and other social media. The result of this research was to find ways to maintain the existence of traditional arts through World Dance Day activation. Apart from that, they also carried out branding in the form of World Dance Day activation as a medium for introducing dance arts to the community.Downloads
References
Devito, Joseph A. 1997. Komunikasi Antar Manusia: Kuliah Dasar (terj) Agus Maulana. Jakarta: Professional Books.
Haryono, Soetarno. 2013. Pengetahuan Tari. Surakarta: ISI Press.
Hawkins, Alma M. 1991. Moving from within: A new method for dance making. ERIC.
Maryono. 2012. Analisa Tari. Surakarta: ISI Press.
Murtono, Taufik. 2010. Kuasa citra: westernisasi melalui iklan. Surakarta: Isi Press bekerja sama dengan Program Pasca Sarjana ISI Surakarta.
Susanti, Santi, dan Iwan Koswara. 2018. “Pemertahanan Warisan Budaya Bangsa Melalui Seni Tradisional.” Jurnal Akrab Juara 3 (3): 62–74.
Widyastutieningrum, Sri Rochana. 2011. Sejarah Tari Gambyong. Surakarta: ISI Press.
Yana, Deni, Reiza D Dienaputra, Agus S Suryadimulya, dan Yan Yan Sunarya. 2020. “Budaya Tradisi sebagai Identitas dan Basis Pengembangan Keramik Sitiwinangun di Kabupaten Cirebon.” Panggung 30 (2): 204–20.
Downloads
Published
Issue
Section
License
Copyright
Authors who publish with Gelar: Jurnal Seni Budaya agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.