Relevance of the Values of Bedhaya Ketawang In the Life of Society Today
Main Article Content
Abstract
Surakarta, a city formerly under the rule of the New Mataram dynasty established by Paku Buwana II in 1746, inherited a wealth of arts which led to its designation as a cultural center. Jumenengan is a cultural legacy in the form of a ceremony, held annually in the Javanese month of Ruwah, on the day of Selasa Kliwon, or Anggara Kasih, to celebrate the anniversary of the coronation of the king of Kasunanan Surakarta. The main prerequisite of the Jumenengan ceremony is the performance of the Bedhaya Ketawang dance, which provides legitimacy for the ceremony. The position of the Bedhaya Ketawang dance in the Jumenengan ceremony is as an heirloom with magical, sacred, prestigious value. Its presence gives legitimacy and credibility to the continued power of the king. As a cultural legacy, the Bedhaya Ketawang dance contains life values that can be absorbed both implicitly and explicitly. These include spiritual values, values of love for the natural environment, ethical values, aesthetic values, and values of love, all of which are relevant to the life of society today. The relevance of these values provides encouragement and motivation to build and develop the character of the Indonesian nation today as a society of faith, devotion to God, noble character, healthy knowledge, skill, creativity, independence, democracy, and responsibility.
Downloads
Article Details
Copyright
Authors who publish with Gelar: Jurnal Seni Budaya agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
Al-Quran. Surat: Al-Mukminun. Terjemahan. Ayat: 12-15.
Al-Quran. Surat: Al-Zalzalah. Terjemahan. Ayat: 7-8.
Al-Quran. Surat: At-Tiin. Terjemahan. Ayat: 4-6.
Gie, The Liang. (1976). Garis Besar Estetik (Filsafat Keindahan).Yogyakarta: Karya.
Maryono. (2010). Komponen Verbal dan Nonverbal dalam Genre Tari Pasihan Gaya Surakarta (Kajian Pragmatik). (Disertasi), Universitas Sebelas Maret Surakarta.
. (2015). Analisa Tari. Penerbit: ISI Press.
Nora, KD. (1994). Tari Bedhaya Ketawang Reaktualisasi Hubungan Mistis Panembahan Senapati Dengan Kanjeng Ratu Kencana Sari Dan Perkembangannya. (Magister), Universitas Gadjah Mada Yogyakarta.
Parker, De Witt. H. (1920). The Principle of Aestetics. Diterjemahkan oleh. S.D Humardani. 1980. Dasar-dasar Estetika. Surakarta: Akademi Seni Karawitan Indonesia (ASKI).
Soeratman, Darsiti. (1989). Kehidupan Dunia Kraton Surakarta 1530-1939. Yogyakarta: Taman Siswa.