Production and exchange of meaning in instagram beauty influencer visual content in Indonesia: a social semiotic analysis

Main Article Content

Ariani Kusumo Wardhani
Hanisa Hassan
Irfandi Musnur

Abstract

The development of technology aligns with the evolution of information media, which is increasingly dynamic in contemporary times. Instagram serves as a social media platform employed by beauty influencers to disseminate information pertaining to beauty. Visual content showcasing diverse beauty reviews captivates a substantial female audience, resulting in millions of followers on Instagram. This study aims to interpret the conveyed meanings by Indonesian female beauty influencers, such as Tasya Farasya, Kesha Ratuliu, and Hanggini. The qualitative methodology employs social semiotic theory to extract meanings embedded in the text or discourse presented by each influencer, considering social and cultural perspectives. This research adopts a constructivist paradigm, emphasizing the production and exchange of meanings. The study analyzes the meaning behind the messages conveyed by each beauty influencer on social media. The images portrayed by Tasya Farasya, Kesha Ratuliu, and Hanggini exhibit distinct representations both interactively and compositionally. The interactive metaphoric function is evident in the endurance of their image, showcased through visually appealing content on Instagram photos. This results in the creation of a multimodal visual composition in the photos.

Downloads

Download data is not yet available.

Article Details

Section
Articles
Author Biography

Ariani Kusumo Wardhani, Faculty of Design and Creative Arts, Universitas Mercu Buana, Jakarta

Desain Komunikasi Visual

Fakultas Desain dan Seni Kreatif

References

U. S. Yadav, B. B. Gupta, D. Peraković, F. J. G. Peñalvo, and I. Cvitić, “Security and Privacy of Cloud-Based Online Online Social Media: A Survey,” in Sustainable management of manufacturing systems in industry 4.0, 2022, pp. 213–236. doi: 10.1007/978-3-030-90462-3_14

M. Cinelli et al., “Conspiracy theories and social media platforms,” Curr. Opin. Psychol., vol. 47, p. 101407, Oct. 2022, doi: https://doi.org/10.1016/j.copsyc.2022.101407.

A. H. R. Jokar, S. Roche, and H. Karimi, “Stuttering on Instagram: What is the focus of stuttering-related Instagram posts and how do users engage with them?,” J. Fluency Disord., vol. 78, p. 106021, Dec. 2023, doi: 10.1016/j.jfludis.2023.106021.

J. P. Carpenter, C. C. Shelton, and S. E. Schroeder, “The education influencer: A new player in the educator professional landscape,” J. Res. Technol. Educ., vol. 55, no. 5, pp. 749–764, Sep. 2023, doi: 10.1080/15391523.2022.2030267.

A. Wardhani and H. Hasan, “A semiotic intertextual analysis of beauty influencers’ communication strategies on youtube: uncovering meaning and influence by using Pierce's framework.,” Int. J. Vis. Perform. Arts, vol. 5, no. 1, pp. 62–71, 2023, doi: 10.31763/viperarts.v5i1.1066.

K. V. Salazar-Vegas and A. M. Turriate-Guzmán, “Studies Documenting the Components Associated with Instagram Influence: A Review of the Scientific Literature,” in 2022 IEEE 5th International Conference on Electronics and Communication Engineering (ICECE), 2022, pp. 72–77, doi: 10.1109/ICECE56287.2022.10048648.

O. AlFarraj, A. A. Alalwan, Z. M. Obeidat, A. Baabdullah, R. Aldmour, and S. Al-Haddad, “Examining the impact of influencers’ credibility dimensions: attractiveness, trustworthiness and expertise on the purchase intention in the aesthetic dermatology industry,” Rev. Int. Bus. Strateg., vol. 31, no. 3, pp. 355–374, Sep. 2021, doi: 10.1108/RIBS-07-2020-0089.

P. De Pelsmacker, S. Diehl, P. Neijens, and R. Terlutter, “Editorial: Perspectives on advancing the advertising field for academics and practitioners. Celebrating 40 years of the International Journal of Advertising,” Int. J. Advert., vol. 42, no. 1, pp. 1–12, Jan. 2023, doi: 10.1080/02650487.2022.2131279.

L. Saffanah, P. W. Handayani, and F. P. Sunarso, “Actual purchases on Instagram Live Shopping: The influence of live shopping engagement and information technology affordance,” Asia Pacific Manag. Rev., vol. 28, no. 2, pp. 204–214, Jun. 2023, doi: 10.1016/j.apmrv.2022.09.002.

A. Murray, D. Kim, and J. Combs, “The promise of a decentralized internet: What is Web3 and how can firms prepare?,” Bus. Horiz., vol. 66, no. 2, pp. 191–202, Mar. 2023, doi: 10.1016/j.bushor.2022.06.002.

E. Djafarova and C. Rushworth, “Exploring the credibility of online celebrities’ Instagram profiles in influencing the purchase decisions of young female users,” Comput. Human Behav., vol. 68, pp. 1–7, Mar. 2017, doi: 10.1016/j.chb.2016.11.009.

V. Swaminathan, H. A. Schwartz, R. Menezes, and S. Hill, “The Language of Brands in Social Media: Using Topic Modeling on Social Media Conversations to Drive Brand Strategy,” J. Interact. Mark., vol. 57, no. 2, pp. 255–277, May 2022, doi: 10.1177/10949968221088275.

E. Ferrara, R. Interdonato, and A. Tagarelli, “Online popularity and topical interests through the lens of instagram,” in Proceedings of the 25th ACM conference on Hypertext and social media, 2014, pp. 24–34, doi: 10.1145/2631775.2631808.

P. C. Taylor, “Constructivism: Value Added,” in International Handbook of Science Education, Dordrecht: Springer Netherlands, 1998, pp. 1111–1123. doi: 10.1007/978-94-011-4940-2_65

J. A. Allen, “The Constructivist Paradigm,” J. Teach. Soc. Work, vol. 8, no. 1–2, pp. 31–54, Feb. 1994, doi: 10.1300/J067v08n01_03.

F. Schimmelfennig, “Nato enlargement: A constructivist explanation,” Secur. Stud., vol. 8, no. 2–3, pp. 198–234, Dec. 1998, doi: 10.1080/09636419808429378.

L. D. Peters, A. D. Pressey, M. Vanharanta, and W. J. Johnston, “Constructivism and critical realism as alternative approaches to the study of business networks: Convergences and divergences in theory and in research practice,” Ind. Mark. Manag., vol. 42, no. 3, pp. 336–346, Apr. 2013, doi: 10.1016/j.indmarman.2013.02.003.

D. J. Marshall, D. Smaira, and L. A. Staeheli, “Intergenerational place-based digital storytelling: a more-than-visual research method,” Child. Geogr., vol. 20, no. 1, pp. 109–121, Jan. 2022, doi: 10.1080/14733285.2021.1916436.

V. M. Richard and M. K. E. Lahman, “Photo-elicitation: reflexivity on method, analysis, and graphic portraits,” Int. J. Res. Method Educ., vol. 38, no. 1, pp. 3–22, Jan. 2015, doi: 10.1080/1743727X.2013.843073.

T. Van Leeuwen, “Multimodality,” in The Handbook of Discourse Analysis, Wiley, 2015, pp. 447–465. doi: 10.1002/9781118584194.ch21

G. Kress and T. van Leeuwen, Reading images: The grammar of visual design. Third edition. | London; New York: Routledge, 2021.: Routledge, 2020. doi: 10.4324/9781003099857

J. Kress, G., & Bezemer, Writing in a multimodal world of representation. United Kingdom: The SAGE handbook of writing development, 2009. doi: 10.4135/9780857021069.n12

D. Jovanovic and T. Van Leeuwen, “Multimodal dialogue on social media,” Soc. Semiot., vol. 28, no. 5, pp. 683–699, Oct. 2018, doi: 10.1080/10350330.2018.1504732.

T. Kress, G. R., & Van Leeuwen, Reading images: The grammar of visual design. East Sussex. United Kingdom: Psychology Press, 2006. doi: 10.4324/9780203619728

G. Senft, “Bronislaw Kasper Malinowski.” pp. 210–225, 2009, doi: 10.1075/hoph.2.19sen.

G. Davey, “Visual Anthropology: Strengths, Weaknesses, Opportunities, Threats,” Vis. Anthropol., vol. 23, no. 4, pp. 344–352, Jul. 2010, doi: 10.1080/08949468.2010.485015.

G. Aiello and T. Van Leeuwen, “Michel Pastoureau and the history of visual communication,” Vis. Commun., vol. 22, no. 1, pp. 27–45, Feb. 2023, doi: 10.1177/14703572221126517.

T. V. L. C. Jewitt, Handbook of Visual Analysis Visual Meaning: A Social Semiotic Approach. Cape Town: Sage Research Methods, 2004. doi: 10.4135/9780857020062.n7

Z. Delu, “Social Semiotics as Appliable Semiotics,” Chinese Semiot. Stud., vol. 4, no. 2, pp. 153–184, Dec. 2010, doi: 10.1515/css-2010-0208.

S. J. Cowley, S. Moodley, and A. Fiori-Cowley, “Grounding Signs of Culture: Primary Intersubjectivity in Social Semiosis,” Mind, Cult. Act., vol. 11, no. 2, pp. 109–132, May 2004, doi: 10.1207/s15327884mca1102_3.