Daryono's artistic creativity journey in the body of Surakarta Style Javanese Dance
Main Article Content
Abstract
Downloads
Article Details
Copyright
Authors who publish with Gelar: Jurnal Seni Budaya agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
References
M. C. Beardsley, “What is going on in a dance ?,” Danc. Res. J., vol. 15, no. 1, pp. 31–36, 1982, doi: 10.2307/1477692.
I. Brinck, “Situated Cognition, Dynamic Systems, and Art: On Artistic Creativity and Aesthetic Experience,” Janus Head, vol. 9, no. 2, 2007. doi: 10.5840/jh2006928
D. Legrand and S. Ravn, “Perceiving subjectivity in bodily movement: The case of dancers,” Phenomenol. Cogn. Sci., vol. 8, no. 3, pp. 389–408, Sep. 2009, doi: 10.1007/s11097-009-9135-5.
L. Schwaiger, “The Flesh and the World: Intercorporeal Body-selves, Ageing and Dancing,” Senses Soc., vol. 3, no. 1, pp. 45–59, Mar. 2008, doi: 10.2752/174589308X266461.
J. McNeilly, “Bodily Schemata and Sartre’s I and Me: Reflection and Awareness in Movement,” Perform. Philos., vol. 2, no. 1, pp. 83–98, Jul. 2016, doi: 10.21476/PP.2016.2190.
P. Atkinson and D. M. Duffy, “Seeing movement: Dancing bodies and the sensuality of place,” Emot. Sp. Soc., vol. 30, pp. 20–26, Feb. 2019, doi: 10.1016/j.emospa.2018.12.002.
A. Pickard, “Under this weight: Embodiment in dance choreography,” in Conversations on Embodiment Across Higher Education, Routledge, 2018, pp. 98–110. doi: 10.4324/9781315266664-14
A. Herman and S. Chatfield, “A detailed analysis of DanceAbility’s contribution to mixed-abilities dance,” J. Danc. Educ., vol. 10, no. 2, 2010, doi: 10.1080/15290824.2010.10387159.
J. F. Christensen, A. Gomila, Gaigg, S. B., N. Sivarajah, and B. Calvo-Merino, “Dance expertise modulates behavioral and psychophysiological responses to affective body movement.,” J. Exp. Psychol., vol. 42, no. 8, pp. 1139–1147, 2016, doi: 10.1037/xhp0000176.
M. Malksoo, “A ritual approach to deterrence: I am, therefore I deter,” Eur. J. Int. Relations, vol. 27, no. 1, pp. 53–78, doi: 10.1177/1354066120966039.
S. E. Baumann, M. M. Merante, M.-A. Sylvain-Holmgren, and J. G. Burke, “Exploring Community Art and Its Role in Promoting Health, Social Cohesion, and Community Resilience in the Aftermath of the 2015 Nepal Earthquake,” Heal. Promot. Pr., vol. 22, no. 1_suppl, p. 111S–121S, 2021, doi: 10.1177/1524839921996083.
A. Giurchescu and L. Torp, “Theory and Methods in Dance Research: A European Approach to the Holistic Study of Dance,” Yearb. Tradit. Music, vol. 23, pp. 1–10, 1991, doi: 10.2307/768392.
A. Nahachewsky, “Participatory and Presentational Dance as Ethnochoreological Categories,” Danc. Res. J., vol. 27, no. 1, pp. 1–15, Jan. 1995, doi: 10.2307/1478426.
T. Narawati, “Etnokoreologi: Pengkajian Tarian Etnis dan Kegunaan Dalam Pendidikan Seni,” 2013, pp. 70–74, doi: 978-602-17017-2-0.
U. Flick, Triangulation. In The SAGE handbook of qualitative research, 5th ed. London: SAGE Publications Sage UK: London, England, 2018. doi: 10.4135/9781526416070
M. B. Miles and A. M. Huberman, Qualitative Data Analysis. California, London & New Delhi: SAGE Publications, 1994.
M. V. P. D. Wilmerding and P. D. Molly M. McKinnon, M.S., Christine Mermier, “Body composition in dancers a review,” J. Danc. Med. Sci., vol. 9, no. 1, pp. 18–23, 2005, doi: 10.1177/1089313X0500900104.
R. La Forge, “Aligning mind and body: Exploring the disciplines of mindful exercise,” ACSM’S Heal. Fit. J., vol. 9, no. 5, pp. 7–14, 2005. doi: 10.1097/00135124-200509000-00006
G. Bastug, “Examination of Body Composition, Flexibility, Balance, and Concentration Related to Dance Exercise.,” Asian J. Educ. Train., vol. 4, no. 8, pp. 210–215, 2018, doi: 10.20448/journal.522.2018.43.210.215.
M. W. Bantolo, “Alusan pada Tari Jawa,” Dewa Ruci, vol. 1, no. 3, pp. 426–437, 2003.
H. M. T. Schuff, “Dancing towards personal and spiritual growth,” Nord. J. Danc., vol. 3, pp. 30–40, 2012, doi: 10.2478/njd-2012-0004.
N. L. Salsabila, Nursilah, and K. M. Sari, “The Moral Values In Gambiranom Dance (Study Morality of Immanuel Kant),” Int. J. Perform. Arts, vol. 1, no. 1, pp. 32–41, 2022, doi: 10.56107/ijpa.v2i1.110.
H. B. Prasetya, T. Haryono, and G. R. L. L. Simatupang, “Habitus, ngeng, dan Estetika Bunyi Mleset dan Nggandhul pada Karawitan,” Paradig. J. Kaji. Budaya, vol. 1, no. 2, 2016. doi: 10.17510/paradigma.v1i2.11
W. S. Prabowo, Sejarah Tari : Jejak Langkah Tari di Pura Mangkunegaran. Surakarta: ISI Press, 2007.
Supriyanto, “Penerapan Konsep Joged Mataram dalam Tari,” Mudra, vol. 25, no. 1, 2010.
Suryobrongto, Sejarah Tari Klasik Gaya Yogyakarta. Yogyakarta: Dewan Kesenian Prop. DIY, 1981.
E. Supriyatna, F. Lianto, and R. Trisno, “Javanese Mythology of Orientation in the ‘Interior’ Architecture of North Sitihinggil at the Keraton Yogyakarta, Indonesia,” J. Int. Soc. Study Vernac. Settlements, vol. 10, no. 6, pp. 365–383, 2023.
M. A. Wanti and T. I. Setyani, “Memayu hayuning bawana in Serat Cemporet as Javanese Natural Unity Principle,” in Proceedings of the International University Symposium on Humanities and Arts, 2020, pp. 178–183.
J. N. Miksic, “Nail of the World: Mandalas and Axes,” Arts Asiat., vol. 64, no. 1, 2009, doi: 10.3406/arasi.2009.1694.
Y. S. Hadi, Kajian Tari Teks dan Konteks. Yogyakarta: Pustaka Book Publisher, 2007.
W. Aribowo, A. Purwasito, and T. S. Pitana, “The footsteps of resistance ideology in mangkunegaran dance-style,” in Proceeding IICACS, 2017, pp. 145–152.
P. Yogyataya, Serat Weddataya. Surakarta: Seksi Perpustakaan Diskotik dan Museum Konservatori Karawitan Indonesia Surakarta, 1923.