KOREOGRAFI SANCTAE FAMILIAE KARYA MATHEUS WASI BANTOLO
DOI:
https://doi.org/10.33153/grt.v18i2.2877Abstract
Sanctae Familliae is a work created by Matheus Wasi Bantolo to commemorate the Christmas feast day in 2014. The problem in this study was (1) how the choreography Sanctae Familiae and (2) How the creativity of Matheus Wasi Bantolo in the work. In this study using qualitative research methods, with the approach of choreography. To get an answer from the problem about the form of the work of Sanctae Familiae using the concept of Sumandiyo Hadi on the elements of dance consisting of A.) Motion Dance, B.) Makeup and clothing, C.) Dance accompaniment, D.) Lighting, E.) Number of dancers and genders, F.) Theme, G.) Dance room, H.) Dance title, I.) mode or way of presentation, J.) Type of dance. To know the creativity of Matheus Wasi Bantolo uses the concept of Alma. M Hawkins. Creativity is a special ability to create something new, to achieve it is done three stages of creativity, namely exploration, improvisation, and composition. The essence of the work is the fight between angels representing goodness and demons that symbolize ugliness, and is similar to black and white. All men are the same in the eyes of God, which means no difference. Because love does not know goodness or ugliness, because God is love. The results of this study suggest that the choreography of Sanctae Familiae was formed from the life experiences of Matheus Wasi Bantolo, and because of his desire to give an outside form of his response and his unique imagination. Sanctae Familiae is realized through motion, music, drama that is packaged in the form of opera, is the result of creativity, the sensitivity of the environment, the experience of life and its imagination Matheus Wasi Bantolo. So he managed to present Sanctae Familiae choreography with totality. Keywords: Sanctae Familiae, choreography, creativity.Downloads
References
Ayu, Putri. “Tinjauan Koreografi Tari Yakso Jati Di Desa Sukabumi Kecamatan Cepogo Kabupaten Boyolali”. Skripsi S-1 ISI Surakarta. 2010
Brook, Peter. Percikan Pemikiran Tentang Teater, Film Dan Opera.
Terjemahan Max. Arifin. Yogyakarta. MSPI. 2002
Ginanjar, Dona Dhian. “Pemeran Tokoh Panji Inu Kertapati dalam Karya Tari Topeng Panji Kayungyun karya Wasi Bantolo”. Skipsi karya seni S-1 ISI Surakarta. 2011
Hadi, Y Sumandiyo. Buku aspek-aspek koreografi kelompok. Yogjakarta. Lembaga Kajian Pendidikan dan Humaniora Indonesia. 2003
Hawkins, Alma. Mencipta Lewat Tari (Creating Through Dance). Terjemahan Y. Sumandyo Hadi. Yogyakarta. Institut Seni Indonesia Yogyakarta. 1990.
. Bergerak Menurut Kata Hati (Moving From Within). Terjemahan I Wayan Dibia. Jakarta. Ford Foundation dan Masyarakat Seni Pertunjukan Indonesia. 2003.
Hartanto. Teater Daerah Indonesia. Yogjakarta. Kanisius (Anggota IKAPI). 1996.
Haryono, Sutarno. “Implementasi Konsep Langendriya Mandraswara terhadap Seniman Muda,” Jurnal Seni dan Budaya Panggung Vol. 22 No. 1 (Januari-Maret 2012): 94-106
Iswantara, Nur. Kreativitas: Sejarah, Teori & Perkembangan. Yogjakarta. Gigih Pustaka Mandiri. 2017
Keene, Michael. Kristianitas. Terjemahan F.A Soeprapto. Yogyakarta. Penerbit Kanisius (Anggota IKAPI). 2006
Kartika, S. Dharsono. Estetika. Bandung. Rekayasa Sains. 2007
La, Meri. Komposisi Tari, Elemen-Elemen Dasar (Dance Composition, The Basic elemen). Terjemahan Soedarsono. Yogyakarta: Institut Seni Indonesia Yogyakarta. 1975.
Maryono. Prakmatig Genre Tari Pasihan Gaya Surakarya. Surakarta. ISI Press. 2010.
.Analisa Tari. Surakarta. ISI Press. 2015
Moleong, J Lexy. Metodologi Penulisan Kualitatif. Bandung. Remaja Rosdakarya Offset. 1996.
Munandar, S. C. Utami. Kreativitas dan Keberbakatan: Strategi Mewujudkan Potensi Kreatif dan Bakat. Jakarta. Gramedia Pustaka Utama. 1999.
Murgiyanto, Sal. Koreografi. Jakarta. P.T. Ikrar Mandiri Abadi. 1992.
. Ketika Cahaya Merah Memudar. Jakarta. Deviri Ganan. 1993.
Nugrahini, Elisa Vindu. “Pemeran Tokoh Sekartaji Karya Tari Topeng Panji Kayungyun”. Skipsi karya seni S-1 ISI Surakarta. 2011.
Putri, Praja Dihasta. “Kepenarian Topeng Dalam Karya Tari Kayungyun”. Skipsi karya seni S-1 ISI Surakarta. 2017.
Syauri, Ahmad Syofyan. “Koreografi Tubuh Yang Bersembunyi Karya Eko Supendi”. Skripsi S-1 ISI Surakarta. 2017.
Tasman, A. Analisis Gerak dan Karakter. Surakarta. ISI Press Surakarta. 2006.
Wahyu, Dwi Widiyastuti. “Koreografi Tari Prajuritan Di Desa Candigaron Kecamatan Sumowo Kabupaten Semarang”. Skripsi S-1 STSI Surakarta. 1996
Wulandari, Dewi. “Koreografi Rasa Gundah Geometris Karya Eko Supendi”. Skripsi S-1 ISI Surakarta. 2017
Widaryanto, F.X. Koreografi. Bandung. Jurusan Tari STSI Bandung. 2009
Widyastutiningrum, Wahyudiarto. Koreografi 1. Surakarta. ISI Press. 2011.
NARASUMBER 1. Matheus Wasi Bantolo. (44 tahun), koreografer. Surakarta
Silvester Pamardi. (59 tahun). Penulis naskah. Sukoharjo
David Bima Sakti Wardana. (28 tahun), penari tokoh Yusuf. Magelang.
Mauritius Tamdaru Kusumo. (24 tahun), penari dalam kelompok malaikat. Pasar kliwon, Surakarta.
Reza antarika. (26 tahun), penari tokoh Maria. Surakarta
Dewi kristiyanti. ( 59 tahun), penata busana. Surakarta
Yosua Wiba. (22 tahun ), paduan suara Voca Erodita. Surakarta
Antonius Wahyudi Sutrisno ( 59 tahun), penata musik. Karanganyar.
Supriadi (43 tahun), penata lighting. Mojolaban Sukoharjo
Downloads
Published
Issue
Section
License
Copyright
Authors who publish with GREGET agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.