KEPENARIAN BUNCIT DALAM TARI SRIMPI GANDAKUSUMA

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Published: Jul 23, 2020
DOI: https://doi.org/10.33153/grt.v19i1.3184

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Regita Rian Utami
Seni Tari, Institut Seni Indonesia Surakarta
Sri Setyoasih
Seni Tari, Institut Seni Indonesia Surakarta

Abstract

Essay of this artwork present an analysis dizziness of Buncit’s in a Srimpi Gandakusuma dance Surakarta sytle covers intepretation garap fillings and shapes, the dizziness of Buncit’s in the Srimpi Gandakusuma dance. The garap fillings and shapes which is studied with concept of the Javanese Hasta Sawanda. Concept shapes Susan Langer used to analyze elements in dance.The method used is  bservation, library studies, and interview. Research has shown that the dizziness Buncit’s in a Srimpi Gandakusuma dance is a required a process which is continue and intensive. Dancing a group dance must be supported by personal and group. The dizziness of the Buncit’s on this Srimpi Gandakusuma was taste of mrabu, meneb, and sigrak supported with makeup and karawitan to keep up the impression of grace. 

Keywords: dizziness, garap, Srimpi Gandakusuma.

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How to Cite
Utami, R. R., & Setyoasih, S. (2020). KEPENARIAN BUNCIT DALAM TARI SRIMPI GANDAKUSUMA. Greget: Jurnal Kreativitas Dan Studi Tari, 19(1), 42–58. https://doi.org/10.33153/grt.v19i1.3184
Issue
Vol. 19 No. 1 (2020)
Section
Articles

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