KEPENARIAN GULU DALAM TARI SRIMPI LUDIRAMADU GAYA SURAKARTA

Aqueenes Forsa Putri Setiawan, Dwi Rahmani

Abstract


Essay of this artwork present an analysis dizziness of Gulu’s in a Srimpi Ludiramadu dance Surakarta sytle covers problem 1). How was the dizziness of Gulu’s in the Srimpi Ludiramadu dance?, 2). How does the garap fillings and shapes of Srimpi Ludiramadu dance the dizziness of the Gulu’s?, 3). How was Gulu’s role in Srimpi Ludiramadu dance?. The three issues are discussed of the normatical concept of the Javanese Hasta Sawanda and the consept of garap fillings and shapes. The methods of art were conducted through library studies, observation, and interviews.

Research has shown that the dizziness Gulu’s in a Srimpi Ludiramadu dance is required a process whish is countinue and intensive. Dancing a group dance must be supported by personal and group consciousness. The dizziness of the Gulu’s on this Srimpi Ludiramadu was taste of mrabu, kenes, and meneb supported with makeup and karawitan to keep up the impression of grace.

                                                                                                                    

Keywords: Dizziness, garap, Srimpi Ludiramadu.


Full Text:

pdf

References


Dewan Ahli Yayasan Siswa Among Beksa Ngayogyakarta Hadiningrat. 1981. Kawruh Joged – Mataram. Yogyakarta.

Hadi, Y. Sumandiyo. 2003. Aspek–Aspek Dasar Koreografi Kelompok. Yogyakarta: eLKAPHI.

Hawkins, Alma M. 1990. Mencipta Lewat Tari “Creating Through Dance”, dialihbahasakan oleh Y. Sumandiyo Hadi. Yogyakarta: Institut Seni Indonesia.

Helsdingen, B. Van, Scholvers. 1825. Serat Badhaya Srimpi. Bale Pustaka: Weltefieden.

Langer, Suzanne K. 1988. Problematika Seni. Dialih bahasakan oleh FX. Widaryanto. Bandung: Akademi Seni Tari.

Martopangrawit. 1982. “Gendhing dan Sindhenan Bedaya Serimpi”, Proyek Pengembangan IKI Sub Proyek ASKI Surakarta.

Maryani, Dwi. 2007. “Wiraga Wirama Wirasa Dalam Tari Tradisi Gaya Surakarta,” Gelar, Jurnal Ilmu dan Seni ISI Surakarta Volume 5 No. 1 (Juli 2007): 28-41.

Murgiyanto, Sal. 1992. Koreografi. Jakarta: Pusat Perbukuan Depdikbud.

Pamardi, Silvester. 2015. “Dinamika Tari Jawa Gaya Surakarta Di Luar Tembok Keraton Dekade 1940-2000,” Disertasi Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa Sekolah Pascasarjana Universitas Gadjah Mada Yogyakarta.

Prabowo, Wahyu Santoso, dkk. 2007. Sejarah Tari Jejak Langkah Tari Di Pura Mangkunegaran. Surakarta: ISI Surakarta dan CV Efek Design.

Pradjapangrawit, R. Ng. 1990. Serat Sujarah Utawi Riwayating Gamelan Wedhapradangga (Serat Saking Gotek). Alih aksara oleh Sogi Sukidjo, R. Ng. Renggosuhono. Surakarta: STSI Surakarta bekerja sama dengan The Ford Foundation, Jakarta.

Prihartini, Nanik Sri, dkk. 2007. Joged Tradisi Gaya Kasunanan Surakarta. Surakarta: ISI Press Solo.

Rustopo. 2001. Gendhon Humardani Sang Gladiator. Yogyakarta: Yayasan Mahavhira.

Sawitri. 2012. “Perubahan Bentuk, Fungsi, dan Makna Tari Srimpi Ludiramadu,”. Tesis Program Pasca Sarjana Fakultas Sastra dan Seni Rupa Universitas Sebelas Maret.

Wahyudi, Didik Bambang, dkk. 1997. “Tari Srimpi Jayaningsih (Tinjauan tentang Garap Bentuk Sajian),” Laporan Penulisan Kelompok, Sekolah Tinggi Seni Indonesia, Surakarta.

Widaryanto. 2009. Koreografi. Bandung: Jurusan Tari STSI Bandung.

Widyastutieningrum, Sri Rochana. 2012. Revitalisai Tari Gaya Surakarta. Surakarta: ISI Press Solo.




DOI: https://doi.org/10.33153/grt.v19i2.3456

Refbacks

  • There are currently no refbacks.


Copyright (c) 2020 Aqueenes Forsa Putri Setiawan, Dwi Rahmani

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

___________________________________________________________
GREGET: Jurnal Pengetahuan dan Penciptaan Tari
ISSN 1412-551x (print) | 2716-067x (online)
Published by  Institut Seni Indonesia Surakarta
W : https://jurnal.isi-ska.ac.id/index.php/greget/index
E : greget@isi.ska.ac.id

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0