KONEKSITAS TARI DAN MUSIK PADA TARI KELANA GAYA SURAKARTA
DOI:
https://doi.org/10.33153/grt.v20i1.4030Abstract
Klana Dance Surakarta style there are at least three main versions that can be traced, namely Kelana dance version S. Ngaliman, version of S.Maridi, and Version Sunarno Purwo Lelono. The three versions of Kelana dance in the groove do not have a prominent difference, but there are quite strong differences and very principles, especially in pacak and wiled sustainability that I observed from 1979 to the 2010s. The connection of dance and music in Surakarta Style Kelana dance shows the existence of a blend and harmony formed from the role of music to dance that serves as a pointer of content, illustration/nglambari, membungkus/mungkus, and nyawiji so as to form a Kelana dance Surakarta Style that is dashing, sigrak, spirit, firm and authoritative. The basic principle that each element in Kelana dance is a visual form that is artistic has shown coherence between elements and total connection so that it can function as a means of expression of the artist steadily.
Keywords: music and Kelana dance
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References
Maryono. 2010. “Komponen verbal dan Nonverbal dalm Genre Tari Pasihan Gaya Surakarta” (Kajian Pragmatik). Disertasi. Program Pascasarjana UNS.
. 2012. Analisa Tari. Edisi Cetakan pertama, Solo: ISI Press.
. 2015. Analisa Tari. Edisi Cetakan ke dua, Solo: ISI Press.
Pakubuwono IV, Sunan. 1979. Panji Sekar. Terj. Yanti Darmono. Jakarta: PN Buku Sastra Indonesia dan Daerah, Departemen P dan K.
Diskografi
RCD ACD-045, Kelana dalam kaset GB Gambyong, Pimp. S.Ngaliman, Surakarta, Lokananta Recording.
RCD KGB-002, Klana Topeng dalam GB Kuda-kuda, Pimp. S.Maridi dkk, Surakarta, Kusuma Recording.
RCD WD-540, Topeng Klana, Pimp. Oleh PKJT/ASKI Pimp. Karawitan Rahayu Supanggah, Surakarta, Ira Record cassette.
RCD KGB-01, Klana Topeng, Pimp Dr Rahayu Supanggah S.Kar Penata tari Sunarno S.Kar, Surakarta, Kusuma Recording, 1997.
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