EKOKRITIKISME KOREOGRAFI SATU MILIAR TOKEK KARYA AYU TITIS RUKMANA SARI
DOI:
https://doi.org/10.33153/grt.v20i1.4035Abstract
Satu Miliar Tokek by Ayu Titis Rukmana Sari, was inspired by the phenomenon of the Kedung Monggo community towards the price of a billion geckos. This phenomenon has an impact on the burning of the banyan tree where the gecko resides. This research has the problem of how to choreograph one billion geckos and how to ecocriticism in the work of one billion geckos. To answer the problem of choreography, Slamet Md's concept of dance formation consists of motion, rhythm, expression, or feeling, costumes, stage, and dancers. To explore ecocriticism, the opinion of F.X. Widaryanto. The manifestation of eco-criticism in performing arts products of past creative traditions is heavily influenced by natural phenomena. This shows that the works of art in the past gave direction to the audience to protect the environment. The method used in this research is a qualitative research method with a choreographic approach. The results of this study indicate that the work of one billion geckos is a work of art as a form of social criticism, especially in the Kedung Monggo community, which is manifested in the flow of dance choreography.Keywords: Satu Miliar Tokek, Choreography, and EcocriticismDownloads
References
Hadi, Sumandiyo. 2003. Aspek-aspek Dasar Koreografi Kelompok. Yogyakarta: eLKAPHI.
Hapsari, Fani Dwi. 2014. ”Kreativitas Boby Ary Setiawan Dalam Karya Tari Hanacaraka” skripsi. Institut Seni Indonesi Surakarta.
Hapsari, Indri. 2012. “Kajian Koreografi Teater Musikal Tusuk Konde”. Skripsi. Surakarta: ISI Surakarta.
Langer, Suzanne K. 1988. Problematika Seni terj. F.X Widaryanto, Bandung: Akademi Seni Tari Indonesia Bandung.
MD, Slamet. 2016. Melihat Tari. Surakarta: Citra Sains LPKBN Surakarta.
Munandar, Utami. 2002. Kreatifitas Keberbakatan Stretegi Mewujudkan Potensi Kreatif dan Bakat. Jakarta: PT Gramedia Pustaka Utama.
Murgiyanto, Sal.1993. Koreografi. Jakarta: Dirjen Pendidikan Tinggi dan Menengah Depdikbud.
Putri, Sekar Alit S. 2014. “Dolly”. Deskripsi karya Seni Indonesia Surakarta.
Sedyawati, Edi. 1981. Pertumbuhan Seni Pertunjukan.Jakarta: Sinar Harapan.
Sari, Ayu Titis R. 2015. “Satu Miliar Tokek”. Deskripsi karya Seni Indonesia Surakarta.
Sastrosupeno, M. Suprihadi. 1984. Manusia, Alam, dan Lingkungan. Surakarta: Proyek Penulisan Dan Penerbitan Buku/Majalah Pengetahuan Umum Dan Profesi Dapartemen Pendidikan Dan Kebudayaan.
Soedarsono, R.M. 1978. Pengantar dan Komposisi Tari. Yogyakarta: Akademi Seni Tari Indonesia.
Wardhana, Wisnu Arya. 1995. Dampak Pencemaran Lingkungan. Yogyakarta: ANDI OFFSET.
Widaryanto, F.X. 2015. “Ekokritikisme Sardono W. Kusumo: Gagasan, Proses Kreatif, dan Teks- teks Ciptaannya”. Disertasi, Institut Seni Indonesia Surakarta.
Downloads
Published
Issue
Section
License
Copyright
Authors who publish with GREGET agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
