TARI SEBIMBING SEKUNDANG SEBAGAI TARI PENYAMBUTAN TAMU DI KABUPATEN OGAN KOMERING ULU SUMATERA SELATAN
DOI:
https://doi.org/10.33153/grt.v20i1.4036Abstract
This article examines the form of Seguid Sekundang dance presentation in Ogan Komering Ulu Regency, South Sumatra. Problems regarding form are discussed using the theory of R.M Soedarsono in the book Diktat Pengantar Pengetahuan dan Komposisi Tari. This article uses a qualitative research method with descriptive analysis. The collection of data and information is done by observing or observing the object of research, interviews, and literature studies. Sebimbing Sekundang dance was made at the request of Regent Ogan Komering Ulu as as guest welcome dance in 1971. This dance is the result of observations in several sub-districts in Ogan Komering Ulu Regency by combining various cultural forms, especially traditional dance from five tribes (Daye, Komering, Ogan, Ranau, and Semende) in Ogan Komering Ulu Regency.This dance uses properties of a fan, tepak sirih, umbrella, and spear. However, it is the use of distinguishes this dance from the welcoming dance in South Sumatera. The music accompanying the Sebimbing Sekundang dance is another song entitled Ribu-Ribu originating from the Ogan area. Then the arrangement itself by Z. Khusni Karana became the music to accompany the Sebimbing Sekundang dance. This dance reflects the majesty of universe which uses many forms and motifs of plants.
Keywords :Form, Analysis of The Movement of The Sebimbing Sekundang Dance.
Downloads
References
Afrizal, Damri. 2017. “Unsur-Unsur Gerakan Pengantin Dalam Tari Pagar Pengantin pada Upacara Pernikahan di Kota Palembang.” Skripsi S-1 Jurusan Tari Fakultas Seni Pertunjukan Institut Seni Indonesia, Surakarta.
Gerudin, Hadjar, dkk. 2006. Direktori Sumatera Selatan. Dinas Kebudayaan dan Pariwisata Provinsi Sumatera Selatan.
Gunawan, Raden. 2015. “Kreativitas Raden Gunawan dalam Penciptaan Tari Sedulang Setudung di Kabupaten Banyuasin Sumatera Selatan”. Tesis S-2 Program Studi Pengkajian Seni, Institut Seni Indonesia, Surakarta.
Hadi, Sumandiyo. 2007. Kajian Tari: Kajian Teks dan Konteks. Yogyakarta: Pustaka Book Publisher.
Heriyandi, 2011. “Analisis Koreografi Tari Persembahan Sedulang Setudung sebagai Tari Penyambutan Tamu di Kabupaten Banyuasin.” Skripsi S-1 Universitas PGRI Palembang.
Jiwanti, Surti. 2015. “Bentuk dan Makna Simbolik Tari Tepak Keraton di Kota Palembang Provinsi Sumatera Selatan.” Tesis S-2 Program Studi Pengkajian Seni Institut Seni Indonesia, Surakarta.
. 2016 . “Bentuk Tari Tepak Keraton di Kota Palembang Provinsi Sumatera Selatan,” Gelar, Jurnal Seni Budaya Vol 14. No. 1 (Juli 2016):82-83.
Katungga, Gabriella Saras. 2019. “Makna Gerak Tari Tanggai Di Kota Palembang Sumatera Selatan.” Skripsi S-1 Jurusan Tari Fakultas Seni Pertunjukan Institut Seni Indonesia, Surakarta.
Langer, Suzanne K. 1988. Problematika Seni, diterjemahkan oleh F.X Widaryanto. Bandung: ASTI.
Maryono. 2011. Artikel Kualitatif Seni Pertunjukan. Surakarta: ISI Press.
. 2015. Analisa Tari. Surakarta:ISI Press. Surakarta.
Pratiswa, Stepanus, Adi. 2014. “Revitalisasi Tari Sambut Silampari di Kabupaten Musi Rawas Sumatera Selatan’. Tesis S-2 Program Studi Pengkajian Seni Institut Seni Indonesia, Surakarta.
Tasman, Agus. 1987. Karawitan Tari Sebuah Pengamatan Tari Gaya Surakarta.
Slamet MD, 2016. Melihat Tari. Karanganyar: Citra Salin.
Santoso, Tien. 2010. Tata Rias dan Busana Pengantin Seluruh Indonesia. Jakarta. PT Gramedia Pustaka Utama: IKAPI.
Soedarsono. 1978. Diktat Pengantar dan Komposisi Tari. Yogyakarta: Akademi Seni Tari Indonesia. Yogyakarta.
Sudartati, Yulie. 2004. “Pembentukan dan Perkembangan Tari Gending Sriwijaya dalam Kajian Koreografi dan Makna Simbolis.” Tesis S-2 Program Studi Pengkajian Seni Institut Seni Indonesia, Surakarta.
Syarofie, Yudhy. 2013. Tari Sambut di Sumatera Selatan, Palembang, OKU, dan Lubuklinggau. Dinas Pendidikan Provinsi Sumatera Selatan.
Widyastutieningrum, Sri Rochana. 2011. Sejarah Gambyong. Surakarta: ISI Press Surakarta.
Downloads
Published
How to Cite
Issue
Section
License
Copyright
Authors who publish with GREGET agrees to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
