KREATIVITAS SRI MUMPUNI DALAM TARI MULIE BEKIPAS DI SANGGAR KUSUMA LALITA METRO LAMPUNG

Authors

  • Fitri Ciptaningsih tari
  • Syahrial Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/grt.v23i1.5748

Keywords:

Form, Creativity, Mulie Bekipas Dance

Abstract

This research aims to describe and show Sri Mumpuni's creativity in the Mulie Bekipas Dance at Sanggar Kusuma Lalita Metro Lampung. The problems in this research include: (1) what is the form of the Mulie Bekipas Dance at the Kusuma Lailta Studio? and (2) how is Sri Mumpuni's creativity in the Mulie Bekipas Dance at the Kusuma Lalita Studio? Thus, to answer this problem, Y. Sumandiyo Hadi's theory is used to discuss the dance form which contains elements of group choreography and to discuss Sri Mumpuni's creativity in this dance work the author uses Rodhes' theory quoted by Utami Munandar, namely person, process (process), press (pusher) and product (product). This research uses a qualitative research method with a choreographic approach. The research stage carried out was data collection by means of observation, interviews and literature study. Then all the data is collected and finally analyzed. The results of the research show that the Mulie Bekipas Dance form is a group dance, which consists of 11 elements which include dance movements, dance space, dance accompaniment/dance music, dance theme, type/kind/nature of dance, mode or method of presentation, number of dancers/type gender and body posture, make-up, lighting/stage lighting, dance props/other equipment. And this creativity is shown in the choreographer, the factors that influenced it, the creation process up to the formation of the Mulie Bekipas Dance.

Downloads

Download data is not yet available.

References

Alwi, H., dkk. (2007). Kamus Besar Bahasa Indonesia. Balai Pustaka.

Cininta, P. (2015). Eksistensi Tari Mulie Bekipas di Metro Lampung. Skripsi T Fakultas Bahasa dan Seni Universitas Negeri Yogyakarta.

Hadi, Y. S. (2003). Aspek-Aspek Koreografi Kelompok. Elkapi.

Hadi, Y. S. (2012). Koreografi. Cipta Media.

Habsary, D., dkk. (2015). Pembelajaran Tari Muli Bekipas dalam Ekstrakulikuler di SMA N 1 Kalirejo Lampung Tengah. Jurnal Pembelajaran.

Hidayatullah, R. (2017). Pengantar Seni Pertunjukan Lampung. Arttex.

Jazuli, M. (2008). Paradigma Kontekstual Pendidikan Seni. Unesa University Press.

Langer, S. K. (1977). Problematika Seni (Fx. Widaryanto Penerj.). Akademi Seni Tari Indonesia.

Munandar, U. (1987). Mengembangkan Bakat dan Kreativitas Anak Sekolah. Gramedia Pustaka Utama.

Munandar, U. (2002). Kreativitas dan Keberbakatan. Gramedia Pustaka Utama.

Munandar, U. (2012). Pengembangan Kreativitas Anak Berbakat. PT Rineka Cipta

Murgiyanto, S. (1993). Ketika Cahaya Merah Memudar. Deviri Ganan.

Nazir, M. (1998). Metode Penelitian. Ghalia Indonesia.

Restian, A. (2017). Pembelajaran Seni Tari di Indonesia dan Mancanegara. UMMPress.

Roqim, N. (2023). Kreativitas Hapsari Mustikaningrum Dalam Karya Tari Robyongan. Skripsi Program Studi Tari Institut Seni Indonesia Surakarta.

Slamet. (2014). Barongan Blora Menari di atas Politik dan Zaman. Citra Sains.

Slamet. (2016). Melihat Tari. Citra Sain,

Slamet. (2018). Metodologi Penelitian Tari. ISI Press.

Smith, J. (1985). Komposisi Tari Sebuah Petunjuk Praktis Bagi Guru. Ikalasti.

Soedarsono. (1978). Pengantar Pengetahuan Tari. Akademi Seni Tari Indonesia.

Supriyadi, D. (2001). Kreativitas, Kebudayaan & Perkembangan Iptek. Alfabeta.

Susantio, D. K. (2017). Kreativitas Gabriel Armando dalam Karya Tari kelambu Raje di Sanggar Spectrum Kabupaten Kubu Raya, Kalimantan Barat. Skripsi Program Studi Tari Institut Seni Indonesia Surakarta.

Wardani, S. K. (2022). Kreativitas Sari Aprilianti Dalam Karya Tari Cahaya Pirdi Di sanggar Seni Nusa Kirana Kota Palembang. Skripsi Program Studi Tari Institut Seni Indonesia Surakarta.

Widjanarko, E. (2006). Rias Wajah. Wahana Boga Cakrawala.

Downloads

Published

2024-07-30

How to Cite

Fitri Ciptaningsih, & Syahrial. (2024). KREATIVITAS SRI MUMPUNI DALAM TARI MULIE BEKIPAS DI SANGGAR KUSUMA LALITA METRO LAMPUNG. Greget : Jurnal Kreativitas Dan Studi Tari, 23(1), 17–34. https://doi.org/10.33153/grt.v23i1.5748

Issue

Vol. 23 No. 1 (2024)

Section

Articles

License

Copyright (c) 2024 Fitri Ciptaningsih, Syahrial

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Copyright

Authors who publish with GREGET agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.