BENTUK TARI KEMBANG KEMANGI KARYA JAJULAIDIK DAN YUDA GADIS OCTIANI SANGGAR TARI SAYUWIWIT

Authors

  • Maya Lestari Anggraini Institut Seni Indonesia Surakarta
  • Slamet Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/grt.v23i1.5891

Keywords:

Kembang Kemangi Dance, Form, Work, Solah-ebrah

Abstract

This research describes the form and choreography of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio. Kembang Kemangi dance is the new choreography inspired by the local tradition of Banyuwangi. The research questions include: (1) What is the form of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio, (2) How is the choreography of the Kembang Kemangi dance by Jajulaidik and Yuda Gadis Octiani from the Sayuwiwit Dance Studio. In dissecting the formulation of the problem in this research, the theory of form and choreography by Slamet, in his book entitled "Melihat Tari," was used. This research uses a qualitative research method with a choreographic approach. The research steps are data collection through observation, interviews, literature review, and data analysis. The results of the research show that the form of the Kembang Kemangi dance consists of dance elements. These are movement, music, makeup and costume, dancers, flour pattern, and stage. Kembang Kemangi is a group choreography that contains 7 dancers.  The choreography of the dance movements is related to "solah-ebrah." Solah is an effort to manifest the form of human body movements that are developed to form an ebrah which includes a variety of movements that have the essence of the smallest unitary meaningful motion form. 

 

Downloads

Download data is not yet available.

References

Anggraini, E. C., & Yanuartuti, S. (2023). Makna Simbolik Tari Jejer Gandrung Kembang Menur Banyuwangi. APRON Jurnal Pemikiran Seni Pertunjukan, 11(1), 1–13.

Gillham, B. (2005). Research Interviewing: The range of techniques. Open University Press.

Hadi, Y. S. (2003). Aspek-aspek Dasar Koreografi Kelompok. ELKAPHI.

Haryono, S. (2016). Konsep Dasar Bagi Seorang Penari. Greget, 11(1), 28–36. https://doi.org/10.33153/grt.v11i1.459

Hidayat, V. A. (2020). Gerak dan Rasa Dalam Tari Merak Jawa Barat. DESKOVI: Art and Design Journal, 3(2), 104–108. https://doi.org/10.51804/deskovi.v3i2.804

Kristiani, R., & Puspitorini, A. (2017). Tata Rias Korektif untuk Warna Kulit Gelap pada Pengantin Bridal. Jurnal Tata Rias, 06(2), 80–85.

Maryono. (2015). Analisa Tari. ISI Press.

Nugrahani, F. (2014). Metode Penelitian Kualitatif dalam Penelitian Pendidikan Bahasa. Cakra Books.

Prasetya, H. B. (2013). Meneliti Seni Pertunjukan. BP ISI Yogyakarta.

Simatupang, G. R. L. L. (2013). Pergelaran: Sebuah Mozaik Penelitian Seni Budaya. Jalasutra.

Slamet. (2016). Melihat Tari. Citra Sain LPBN.

Soedarsono, R. . (1999). Metodologi Penelitian Seni Pertunjukan dan Seni Rupa (T. Rahzen (ed.)). Masyarakat Seni Pertunjukan Indonesia.

Suroso, P. (2018). Tinjauan Bentuk dan Fungsi Musik pada Seni Pertunjukan Ketoprak Dor. Gondang: Jurnal Seni Dan Budaya, 2(2), 66–78. https://doi.org/https://doi.org/10.24114/gondang.v2i2.11283 Gondang:

Widyastutieningrum, S. R., & Wahyudiarto, D. (2014). Pengantar Koreografi. ISI Press.

Wulandari, L., & Widyastutieningrum, S. R. (2018). Bentuk Dan Fungsi Tari Gatholoco Kelompok Seni Cipto Budoyo Kabupaten Temanggung. Greget, 17(2), 175–189. https://doi.org/10.33153/grt.v17i2.2307

Downloads

Published

2024-07-24

How to Cite

Anggraini, M. L., & Slamet. (2024). BENTUK TARI KEMBANG KEMANGI KARYA JAJULAIDIK DAN YUDA GADIS OCTIANI SANGGAR TARI SAYUWIWIT. Greget : Jurnal Kreativitas Dan Studi Tari, 23(1), 61–75. https://doi.org/10.33153/grt.v23i1.5891

Issue

Vol. 23 No. 1 (2024)

Section

Articles

License

Copyright (c) 2024 Maya Lestari Anggraini, Slamet

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Copyright

Authors who publish with GREGET agrees to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-ShareAlike 4.0 (CC BY-SA 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal. 
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.