KAJIAN SIMBOL VISUAL PAWUKON

Authors

  • Mutiara Putri Dhamastuty Mahasiswa Prodi S1-Seni Rupa Murni Fakultas Seni Rupa dan Desain, Institut Seni Indoneia (ISI) Surakarta JL. Ringroad Km 5,5 Mojosongo Surakarta 57127 Jawa Tengah
  • Wisnu Adisukma Dosen Prodi S1-Seni Rupa Murni Fakultas Seni Rupa dan Desain, Institut Seni Indoneia (ISI) Surakarta JL. Ringroad Km 5,5 Mojosongo Surakarta 57127 Jawa Tengah

DOI:

https://doi.org/10.33153/texture.v1i1.2234

Abstract

Culture is dynamic in the form of humans and vice versa with a value system. One of them is Pawukon, originating from the science of titen and then manifested in the manuscript. In the case of the RadyaPustaka Museum’s collections, inseparable from the history and myths of Watugunung. Interaction and interpretation of analysis are used in historical studies, influences on Javanese people, symbols of Pawukon in the manuscript and the importance of its presence in contemporary society. Mandhasiya and Kuruwelut were chosen as sample of 30 wuku and provided guidance on the existence of the manuscript.

Keywords: Kuruwelut, Mandhasiya, Symbol, Wuku

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References

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Manuskrip:

Pawukon mawi Gambar. Manuskrip koleksi Museum Radya Pustaka.

Internet:

http://www.art-con.ru/note/4370, diakses 5 September 2017

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Published

2018-12-13

Issue

Vol. 1 No. 1 (2018)

Section

Articles

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