KOSTUM PERTUNJUKAN WAYANG ORANG SERIAL MAHABARATA GAYA SURAKARTA
DOI:
https://doi.org/10.33153/texture.v4i2.4208Keywords:
costume, the human puppet show, mahabarata story, surakarta styleAbstract
This reseach is based on the variety interpretations on the human puppet show on the mahabarata story in Indonesia. These various interpretations produce a lot of style and one of them is Surakarta style.The interpretation of Surakarta style can be observed by the dancer’s costume which have the unique
characteristic adapted by local tradition.The goal of this research is to make a deep and detail data in the using of mahabarata’s dancer costume in Surakarta style. The method used in this research is qualitative descriptive. The subjects of the research are Mahabarata’s human puppet show in Sriwedari, Indonesian Institute of The Arts (ISI) Surakarta, and Taman Budaya Jawa Tengah (TBJT) Surakarta. The steps in this
research are literature review, data collection and draw conclusion. The conclusion is The use of the puppet costume of the mahabarata series, Surakarta style was adjusted to the characteristics of the puppet figures and plays performed. Costume design is the result of visualization of fashion on the human puppet show. The
suggestion of this research can be used as the reference in the mahabarata’s dancer costume of Surakarta style and provide the knoeledge contribution as an effort to preserve human puppet in Surakarta style.
Downloads
References
B.Y. Nurwulan. 1988. Tata Rias Wayang Orang Sriwedari Surakarta. Surakarta: ISI Surakarta.
C. Rajagopalachari. 2014. Kitab Mahabarata (Mahabharata). Terj. Yudhi Murtanto. Jogyakarta: Dipta.
Edi Sedyawati. 1981. Pertumbuhan Seni Pertunjukan. Jakarta: Sinar Harapan.
Hersapandi. 1999. Wayang Wong Sriwedari dari Seni Istana Menjadi Seni Komersil. Yogyakarta: Yayasan Untuk Indonesia
I Made Bandem dan Sal Murgiyanto. 1996. Teater Daerah Indonesia. Denpasar: Pustaka Budaya.
La Meri. 1986. Elemen-elemen Dasar Komposisi Tari. Terj. Soedarsono. Yogyakarta: Lagaligo
Mooryati Soedibyo. 2006. Busana Keraton Hadiningrat. Jakarta: Grasindo.
M. Saleh. 1978. Mahabarata. Jakarta: PN Balai Pustaka.
P. Lal. 2008. Mahabarata (The Mahabharata of Vyasa). Terj. Harijadi S Hartowarjodo. Bogor: Grafika Mardi Yuana.
Purwadi. 2004. Mahabarata. Jakarta: Media Abadi.
Purwadi. 2007. Seni Pedhalagan Wayang Purwa. Yogyakarta: Panji PustakaYogyakarta.
R. M. Soedarsono. 1999. Seni Pertunjukan Indonesia dan Pariwisata. Yogyakarta: Masyarakat Seni Pertunjukan Indonesia.
R. M. Soedarsono. 2003. Seni Pertunjukan dari Perspektif Politik, Sosial, dan Ekonomi. Yogyakarta: Gadjah Mada University Press.
R. Soetarno AK. 1992. Ensiklopedia Wayang. Semarang: Dahara Priza
Suzanne K Langer. 1988. Problematika Seni. Terj. F.X Widaryanto. Bandung: Akademi Seni Tari Indonesia.
Sal Murgiyanto. 2004. Tradisi dan Inovasi Beberapa Masalah Tari di Indonesia. Jakarta: Wedatama Widya Sastra.
Soedarsono. 1997. Wayang Wong Drama Tari Ritual Kenegaraan di Keraton Yogyakarta. Yogyakarta: Gadjah Mada University Press.
Soedarsono dan Tati Narawati. 2014. Dramatari di Indonesia, Kontinuitas dan Perubahan.Yogyakarta: Gadjah Mada University Press.
Soegeng Toekio M. 2007. Rupa Wayang dalam Kosakarya Kria Indonesia. Surakarta: ISI Press.
Soetarno. 2004. Wayang Kulit Perubahan Makna Ritual dan Hiburan. Surakarta: STSI Press.
Soetarno. 2005. Pertunjukan Wayang dan Makna Simbolisme. Surakarta: STSI Press.
Sumaryono dan Endo Suanda. 2005. Tari Tontonan. Jakarta: Lembaga Pendidikan Seni Nusantara
Tracy, Sarah .J 2020. Qualitative Research Methods Collecting Evidence, Crafting Analysis,
Communicating Impact. New Jersey: John Wiley & Sons.
Umar Kayam. 1981. Seni, Tradisi, Masyarakat. Jakarta: Sinar Harapan
Downloads
Published
Issue
Section
License
Author continues to retain the copyright if the article is published in this journal. The publisher will only need publishing rights
